Trevor Locke and Kevin Gaughan present their last reviews of
the year
Our last review of 2010. We began our reviewing year on Friday
8th January at the Shed listening to Autohype and
a bevy of supporting young bands. We finish with a set of bands that sum up
what rock music is all about, from the very new to the very best.
The Shed
Trevor's night began with the Glastonbudget Festival auditions
at the Shed. A selection of acts took to the stage to win their place at Europe's
biggest tribute and original bands festival.
First on stage was a young Leicester band called StandBy.
The group of teenagers played their set of popular rock covers remarkably well.
Keeping in tune and in time, the audience enjoyed their vitality and enthusiasm
for making live music. Even though they lacked stage craft, the four lads put
on a confident set and I guess it's good that even though they have only just
started they have their sights set on getting on to a festival alongside some
of the biggest bands in Leicestershire. Several people commented that they
were a talented young band and one senior rock star in the audience liked them
a lot. Definitely a band to watch out for next year.
Derby band Bury the Ladybird presented their
set of original songs. Vocalist Tiggy Dockerty led the band through their set
of vivacious pop rock numbers that clearly appealed to the music hungry audience.
Drawing their influence from a wide range of influences, including Florence
and the Machine, they proved themselves to be competent musicians with
an entertaining musical offering.
The band I had particularly went there to see was Nuneaton's Loose
Connxtion. I discovered them a few months ago playing at the Shed
and was blown away by the strength of their performance. They are a rock
covers band and their choice of which songs to play was first class. With
Greenday, Linkin Park, Lady Gaga, Oasis, The Stereophonics, The Enemy and
The Fratellis on the bill, that added up to forty minutes of really good
music.
Having played pubs and clubs up to now, when Glasto Organiser
Chris announced to the audience that they were through to their first big festival,
their posse of fans erupted into sustained jubilation. As band follower Craig
told me "... all the fans went crazy for ages ...". Wonderful. A
fine group of musicians blessed with lashings of talent, this is a band that
brings rock to life. We will be seeing them in Leicester a few times next year
and I for one will be looking forward to seeing them at Glastonbudget.
The night was topped by The Lady Gaga
Experience Those who stayed to watch them said they were very good.
After having seen so many venues depleted by the bad weather,
it was good that the Shed was full. It was also good to arrive at the Firebug
and see that brimming with gig-goers too.
Promoters White Noise had assembled
a prestigious line-up of bands on the main stage, for once set on the ground
floor of the building, in the main bar. Trevor arrived just in time to see
the set by Dysneyland, a trio of musicians from the magnificent and late-lamented
Tired Irie band.
It was absolutely heaving at the Firebug on the last Sunday
before Christmas. Kevin was looking forward to a good dose of hardcore and
some more subdued sounds from tonight's line-up.
The night was headlined by the astounding Maybeshewill.
First up, writes Kevin, Herra Hidro,
a three piece from Leicester. Wow, what a big sound from this little band,
fast, powerful, plenty of good vocals with a good backing layer and great,
solid, catchy guitar sections, often going into warp-speed, yet remaining tuneful.
The crowd were lapping it up too, although most of the crowd didn't seem to
know the band they still gave them their full attention. No background chatter
here, not that you'd be able to hear each other if you did! Hmmm, yes, a great
little band, I didn't know about them before, but I certainly do now - and
I'll be seeing them again.
Dark Dark Horse
James Stafford of Dark Dark Horse is also the lead vocalist
of the excellent Kids in Cars, playing with the acclaimed Jamie Ward.
Kevin writes: a three piece from Leicestershire slowing the
pace down and adding more emphasis on the vocals. With drums, guitar and keyboards
they produced a much more electronic sound, the vocals occasionally faltered,
but were generally very good, especially considering they were the main part
of the set. The keyboards were used to good effect, sounding like a piano at
times and adding plenty of mood and atmosphere to the proceedings. Dark Dark
Horse songs are very well written, I really enjoyed their set.
Leicester trio Dysneyland - Mark,
Ian and Bobb - have a debut
single on Fear & Records, due out on 24th January and a 7" coming
out in March by London label Too Pure Records. Tonight's set of fast paced
songs went down well with a lot of people who were listening very intently.
Very now, very withit, their songs were backed with some
strong dumming and decorated with soaring guitar lines. Band members were in
the late, great Tired
Irie (2005 - 2009) who toured with 65daysofStatic and played support
slots with Foals and Does It Offend You Yeah. Artsin saw
them at the Pavilion
of all places, in 2008 when they played with The Dirty Backbeats.
The Screening headlined a show at the Y Theatre with support
from the Weekend Schemers. The other billed act, KAV, was unable to appear
due to the weather conditions.
The Weekend Schemers
Leicester band Weekend Schemers performed
a set of their own songs, featuring the vocals of front man Andy Cooper, supported
by Conor Evans (guitar vocals), Joe Doyle (bass vocals) and drummer Harry Radburn.
Without repeating what we have said many times before about
this successful and talented young band, let me just record the fact that they
have a superbly good set of songs which they play well and perform with confidence.
One of our featured
bands of 2010.
The Screening
The Screening are a long established
and popular Leicester band whose catchy and listenable songs have kept them
at the forefront of live music in this city. Despite the weather, a good sized
contingent of their fan base turned out to celebrate their music at the Y Theatre,
tonight.
The climatic and economic chill of this bitter December has
had a depressing impact on attendances across all venues. It's good though
that even in the excesses of these dark days, fans have turned out
to support live music. Music is not just for the summer and both bands and
their supporters are keeping it going to lighten the gloom of the winter months.
The 'Schemers and the Screening brought some festive spirit
to their night at the Y and, whilst it was a short night, it was one that was
completely enjoyable.
Saturday 18th December, The Music Cafe
Kevin Gaughan reports:
The Music Cafe was buzzing tonight, right from the off,
which was quite impressive given the icy conditions outside that was causing
various cancellations at other venues around the town.
What a fantastic night it was going to be, with the Lysergic
Suite and the Pennyhangers from Leicester and Belakiss and The
Black Dove Experiment from London.
First up, a band I hadn't seen before, Belakiss.
They looked slightly punky with Tatia Starkey (aka Veronica Avant, who is Ringo
Starr's granddaughter), in her long dark hair and deep red lipstick. Their
style was slower paced but grungy, laced with lashings of haunting guitars
and deep, sultry, bass lines.
Some of their songs picked up the pace with some fine guitar
solos and the vocals of Ruari and Ben complementing the mix perfectly and adding
to the moodiness that the guitars had created. There was also some punk and
country influences, which, as a whole, resulted in some highly addictive music
and a fantastic sound. Setting the mood perfectly for what was to follow.
Belakiss are definitely on my ever-increasing radar and are
a fine band from the big smoke. Unfortunately the lighting at the Music Cafe
was very dark so all the bands except the Lysergic Suite played in near-darkness
with only the wall behind them lit up with the venue's name right in the spot
light!
Next up, the Pennyhangers, one
of Leicester's finest Indie outfits. I won't write much about the Pennyhangers
here as they have been covered extensively in these pages already as they are
an Arts in Leicestershire favourite.
The Pennyhangers sounded on form tonight. They lightened
the mood with their mix of less rocky but still outrageously catchy music.
The songs are very well written and instantly likable, I've only seen them
a couple of times but I already have my favourites. James Percy, on vocals,
however, has a great voice and the keyboards on some of the tracks add to the
big production feel of their set.
Fantastic performance, I knew this night was going to turn
out be something special. Couple of beers, then the great Black Dove
Experiment, the second London band of the night, having just released
their debut EP last month. I had heard great things about this band and so
couldn't wait to see them live. They had a much more synthesiser-based sound
to them, reminding me a bit of the Cure in the old days (VERY old days!).
Their mix of synth and guitar effects with Dodger's chilling
vocals resulted in some very atmospheric sounds with deep, powerful, driving
guitar and bass guitar sections. I just wish the lighting had been more effective
as this is one band where it would have enhanced the mood dramatically.
The Black Dove Experiment put on a great show, and hats off
to them for being experimental because it seems to be working! I'll definitely
be looking out for this band.
Last up, but definitely not least up, was the amazing Lysergic
Suite. Another one of Leicester's finest, and newest bands. They have
also been well covered in these pages, so I will only summarise here. The
Lysergic Suite bought their own light show, and what a light show it was,
with lasers strategically placed around the stage to produce a Pink Floyd
type experience.
The show started in complete darkness, quickly the lasers
fired into the audience and the enchanting and atmospheric sounds of Dum Maro
Dum, complete with sitar and the voice of an Indian lady singing is an en experience
difficult to put into writing.
The darkness makes it feel intimate as you're less aware
of others around you. The light of the lasers was dancing around the Silhouettes
of Gren and Adem Custic with their guitars clearly visible. The total experience
was ... well I can see why they're called Lysergic! ... and to think they played
their first gig only six months earlier! What an absolutely fantastic night,
all for just £6 - incredible!
The night included a DJ Set by Kasabian's tour
DJ, Dan Ralph Martin, who DJs for Kasabian
It was a full night at the Donkey, even though it was a school
night and tickets were a tenner, then again there were a couple of popular
artists on the bill. The Donkey were serving mulled wine, which was a real
treat with the arctic temperatures outside.
First on for the night was David Wyatt,
an 'acoustic roots' singer from Leicester who has played with many artists
including Tommy Emmanuel and James Morrison. David started his set with Silver
Bird, a haunting, slow, acoustic song, which really showed off his voice.
The song couldn't help but draw you in, the atmospheric tone to David's voice
grabbed you and the guitar was gentle and in the background, but still tingling
on your senses.
At this point I knew I was in for a night of top class artists.
David's set consisted of a varied set of acoustic songs and I found his voice
particularly nice to listen to. A very enjoyable performance ... think I might
have to buy one of his two albums, maybe even both!
Next up, Jersey Budd, a name I had seen
around quite a bit but have never had the chance to go and see. Jersey's voice
sounds like an English Bruce Springsteen, gravelly at times. He played his
guitar and harmonica and was accompanied by a keyboard and at one point a sax,
which provided a welcome addition. With plenty of confidence and stage presence,
Jersey put on a good show with his set showing his diverse range of styles.
After Jersey and a quick break came James Walsh,
the lead singer from Starsailor who came from Manchester. Tonight he was doing
a solo set equipped only with his guitar.
His voice, unlike Jersey's, was chocolaty smooth and slightly
higher pitched, making a nice contrast. As you would expect from such an accomplished
singer, he was wonderful to listen to, totally flexible in his range and his
voice adding character to the music. My only criticism might be the guitar
tended to sound similar through the songs.
When James had finished his solo set, Jersey joined him on
the stage and the Christmassy part of the show began. With free mulled wine
being passed to the audience, the atmosphere, which was already pleasant started
to get more jolly. The Duo then performed a number of Christmas classics, such
as Slade's 'Merry XMas Everybody' while having fun on the stage.
All in all, a great atmosphere at the Donkey, with a good
crowd and people enjoying the party atmosphere.
We said it would be one of the biggest gigs of the month
and we were not far wrong. With three top class bands on the bill, it was an
unmissable show. Three bands with distinctly different styles kept the evening
moving. With the quality of the musicianship unbeatable, this is what makes
Leicester such a great place to experience live music.
SuperEvolver
SuperEvolver have swept to the top this
year with a series of appearances that have established their position as a
seriously good band. These three guys always put on a superb performance and
tonight was no exception. Their strong rock songs are incrusted with scintillating
guitar flourishes and solos and lead vocalist Mab pours out the lyrics with
an iconic style. A great set of songs.
Little Night Terrors
I remember seeing The Displacements playing at the Donkey
a long time ago when they were clean shaven, fresh faced Blaby boys. I stood
in the crowd listening to them and thought 'mmm. These guys are going to make
it big one day'. They did but they are back now, a little less clean shaven
but no less musically brilliant and gracing the stages of Leicester as The
Little Night Terrors. A hugely good set featured the quality singing
of Andy Stone, a mountain of memorable songs and rocking rhythms.
The show was launched by Us Wolves, who
made their debut on the Leicester scene in the summer and whose meteoric rise,
like that of SuperEvolver, demonstrates what can be achieved by talented artists.
All three bands had outstandingly good front singers, gifted musicians and
the ability to write compellingly good music. Some nice new songs tonight too.
Put three astonishingly good bands into one of Leicester's
atmospheric, iconic music venues and you have what Leicester is famous for:
a thoroughly good night of live music. There is nothing like it. Despite Leicester
having bands that easily rival any other city in the country and a varied set
of venues, it still has not achieved the recognition it deserves. That is something
that the local industry must work on next year.
I thought I'd better get down to the Looking Glass sharpish
for this one as Ashdowne always manage to pack the place out. So I did, it
was already crowded upstairs, so I nipped down to the basement to a warm welcome
from the Ashdowne lads who bought me a pint while telling me all about the
trials and tribulations that led to their latest song, Chasing
the Lows. It sounded like a rocky road, but made me realise how much effort
had gone into it and how serious these guys are about their music.
The first performance of the evening was to be by Bethia
Mitchell, a young (17 years old) lady from near Leicester. She's already written
70 songs but seemed remarkably mature, with a level head on her shoulders.
Her performance consisted of Bethia and her guitar.
She seemed confident on the stage, her guitar playing was
faultless throughout and her voice was quite special. The lady next to me said
she sounded like Katie Melua, although maybe a much younger Katie Melua with
a higher pitch. The ease with which her voice fluctuated into her high range
seemed magical. She sang with passion and confidence, note perfect, and very
well crafted music. Incredible to think she's so young. Bethia has a great
future ahead, definitely one to watch, and I look forward to seeing her again.
What an introduction to the night, I thought, as I edged
my way through the packed basement to get a beer, then back to the front again
to see one of Leicester's finest: Ashdowne. They've been playing in London
and around Leicester for a few years and regularly feature at Glastonbudget
- appearing three times at last year's festival - including the main stage!
They started their set with an absolute classic, Footsteps,
a complete musical rollercoaster of emotions and tempos with Lee's voice shining
through Andy and Ben's rhythmic guitars and Gripper's percussion. The sound
in the Looking Glass was spot on tonight, enabling Lee's hallmark voice to
flourish, making the hairs on the back of my neck stand up, as all of my favourites
were performed.
The latest addition to the Ashdowne collection, Chasing
the Lows, as always, had a rockier edge to it when played live than the
(free) downloaded version. This song is more commercial than some of the
others, Andy's echoing guitar was more suppressed than usual, but it was
all there, Lee on vocal gymnastics and Ben and Gripper keeping it all together.
This song has instant appeal, but doesn't have some of the uniqueness of
some of their other songs.
A fantastic night in the Looking Glass, all for free, I came
away thinking I'd seen something special with Bethia and thanked Ashdowne for
introducing me to her. I just wish I could see Ashdowne at their next gig in
London on Sunday.
I made my way through the hoar frost encrusted trees of the
Cultural Quarter to Sub91 for an evening of post-hardcore
screamo. Well, why not? The perfect antidote to Christmas. Much better than
the lugubrious, sickly stuff they play in Supermarkets at this time of year,
in a desperate effort to get you to buy cheap industrial mince pies.
It was the unmissable Arms of Atlas night.
The entire population of Leicester's emo kids had turned out for it. Yes, all
three of them were there. Despite the raw chill outside, a goodly crowd of
assorted rock fans had gathered for this superb line up of hard core bands.
Having been to an Arms' gig before, I was really looking forward to seeing
this exhilarating band again. On the Sub91 stage tonight, supporting the mighty
AOA were Amherst, Embrace The Tide, and the brilliant Surrender The Coast.
Not an evening you would happily miss.
Would it not be nice if the recently launched AOA album could
make it into the charts, like last year's triumph of Rage Against The Machine?
Arms of Atlas at Leicester's Sub91 venue.
One of my favourite Leicester bands, I was looking forward
to this night ever since the AOA night was first announced. I was so not disappointed.
They were thrilling. This band ticks all the boxes for me. Massively good stage
presence, thumpingly good tracks, spectacular performances, particularly from
the star quality front man Tyler Raine and awesome lead guitarist Ed Bramford.
This rocket fuelled band put on a set of exhilarating songs
that wow'd the crowd. Great vocals layered with strong backing from guitarist
James Davey and bassist Sam Flint. Tyler works the crowd, pulling them into
the action, talking to them like they were his mates, making them feel great
about being there. This not a high and mighty them and us band. They cherish
their fans and they get the response back from them.
The band started their set with a long orchestral overture,
laden with great stomping beats and massive riffs, until Tyler broke in with
the song. They jumped about on the stage banging their heads in time with the
feverishly exciting beats. The crowd had gathered at the front. A group of
lads formed a mosh pit and the night took off.
Their first piece was a long track that seethed with energy,
Tyler's lyrics evoking shouty, chanting vocals from the backing singers. The
racing song sustained its energy right through to the last chord, laced with
blistering solos from Ed.
It was a night of cheeky covers and AOA kept up the momentum,
not to be outdone by the support slots. AOA put on a show, a rock spectacular
that out does bands that just get up and play. They give the whole set one
hundred per cent commitment. I love this band because they do what, for me,
rock is all about. They have exciting front men, stunning guitar solos, work
the audience, have an engaging sense of humour and a set of songs you just
can't get enough of.
A great command of the genre. Magic!
The night started with Leicester metalcore band Amherst whose
five band members had two vocalists. Their angry, roaring songs, backed by
big rolling instrumental that poured off the stage like a monster machine.
Thrashy, screamo stuff that was clearly appealing to many in the crowd, it
lacked the originality of the other bands and took it self too seriously to
be engaging. They stuck rigidly to what they knew and where used to and were
largely unadventurous. Good but not as good as the bands that followed.
Progressive hardcore Embrace the Tide started
life in Milton Keynes but have now moved to Leicester. They took it to the
next level. The lead vocalist gave out some impressive deep throated growling
in between more conventional vocalisations. On stage they were well synchronised,
moving in time with the music and looking like they were at one with it. Well
presented hardcore sounds that caught the flavour of what the night was about,
they gave off lashings of vitality.
After several songs of ballsy, metalite hardcore, it came
as something to a shock to hear them launch in their own rendition of Wham's "Last
Christmas". A cheeky cover you would never have expected; highly enjoyable
and it set a pattern for the night. 'A bit like Korn covering the Spice Girls',
I thought to myself. It brought a big grin to my face! Mint!
I have seen Surrender the Coast before
and was very happy to see them again. They created a real buzz at the last
gig and the six piece band with two vocalists put on a sterling set of songs.
Show off their creativity and inventiveness, their sustained pounding beats
tore up the stage, the two singers working well together in a show that was
as good to see as it was to listen to.
Their jolly contribution to the night's frivolities was a
cover of Ricky Martin's Living la Vida Loca. Imagine that converted
to post-hardcore. I haven't had so much fun with metal since Pluto dressed
up in santa outfits and jammed away, metalising the top ten Christmas Carols.
Brilliant!
If you pick the right event, you can get a night of top quality
live music. Get the right line up and you get an evening that shows what live
music is all about and just how good it can be. Take tonight: the show was
opened with a solo set from Mike Kerslake. Having
written some capitvating songs, he got his guitar and performed a set that
would take on most of the established singer songwriters in the county. Though
he told me he doesn't actually want a solo caree, he came out with a vibrant
set of highly likeable pieces, laden with intriguing dynamics and delivered
with a fine voice which he deployed remarkably well. Songs full of character
and style, fully listenable and engaging.
In a stylistic u-turn that would upstage Nick Clegg, the
next act changed the gear of the evening. The Weekend Schemers took
to the stage and put their foot down on the night's accelerator. There is a
certain magic about this band. You can't help feeling you are listening to
something rather special. Even if they do sound too much like Muse, they carry
it off big time.
So what makes this young local band stand out? Is that just
that they have written a set of highly popular, chart material songs? Is it
their ability to perform tightly and strike a credible image on the stage?
Is it that they have that sparkle that comes with being audacious teenagers,
your original rock dudes?
Well of course it is all of these things. Whilst they have
comfortably filled the gap left by the temporary disapperance of the Heroes,
2011 will be their make or break year. They have achieved a lot this year,
but some of the established milestones have elluded them. There is a chance
that the Heroes will bounce back with a new drummer and new set of songs; they
will then be squeezed between a rock and hard place, with several new youth
bands hard on their heels for the 14+ market.
Tonight they got up and did what they do best: play enjoyable
and engaging music with style and vigor. Their songs sound like Muse making
love to the Libertines but with a match like that you can't go far wrong. Is
Andy Cooper the next Alex Totman? Young Cooper will have to work hard to vie
for a place alongside one of the most iconic rock stars of the Leicester youth
scene.
This was Rassoodock's night.
A band that has long lurked in the shadows of the local scene, now looks like
it could step into the lime light - if tonight's performance is anything to
go by.
Putting on a magnificent set of songs, they presented the
crowd with a musical tour de force. They packed the SoundHouse with
amazing music and fans; it was surprising how many people had tuned up to see
them, despite the icy blasts and falling snow outside. They put on a spell-binding
show described by one fan as "fucking amazing". I concur with that
sentiment, watching them sparkle with a set of grippingly good songs.
The magic in the air tonight was not falling snow and the
onset of Christmas; it was the magic of a band that could embue a night wih
outstandingly good music. Lead vocalist Greg struck a convincing image as a
nacent rock star, leading an excitingly eclectic cocktail of styles that blended
ska beats, indie rhythms, flashes of AC/DC, slices of Stones and Doors, twists
of Oasis and the cherry on a stick of the Libertines.
If you're a purist then it was a musical mashup but for me
it was a salad of bouncy ballads and stomping sounds which fired up the crowd
and warmed up a venue on a chilling night. The stage offered five guys who
really know what it's all about. They don't stick to the rules; they
stick to their musical instincts and that sets them apart. They are the free
range eggs of the music scene; they are the organic produce that arrives fresh
from the fields of artistic creativity. Wonderful!
The line-up was magnificent: Little Night Terrors, SuperEvolver,
Twisted Wheel. It was a night that promised three hours of respectable rock
music. On a warm summer's night, I think that lineup would have filled a venue.
Indeed when Twisted played in Leicester before, there was a pretty good turn
out.
With Leicester in the icy grip of an early winter and some
of the villages cut off by snow, transport decidedly dodgy, the Auditorium
did well to look half full. The icy grip was not confined to the market stalls
outside. As one shivering fan told us "It's baltic in here". In the
vast unheated expanse of the Auditorium it was indeed like a Baltic Meat Store
and the smoke machine filled the entire hall with a gray fog. Which didn't
add to the motionless atmosphere of the night. Funnily enough the last time
I was in there (to see the Weekend Schemers playing with Example) it was like
a Turkish Bath, with sweaty condensation dripping from the walls.
How things can change! Musically, it was a magnificent night. Little
Night Terrors got the evening off to a fine start. Their large rolling
sounds lead by the extraordinarily fine and distinctive voice of Andy Stone,
launched the line up. Songs presented and delivered with passion and guitars
stringing fiendishly intricate arpeggios, it was a top class set.
As song writers the 'Terrors are terrific. Their fingers
firmly on the strings of music now, they have a collection of commendable
pieces. A career band with an enviable past and a bright future, they have
had a substantial and enthusiastic following. Not easy to get in these parts
and also difficult to sustain, in the volatile and competitive world of Leicester's
rock scene.
SuperEvolver is a band that has rocketed
up the ladder in 2010. Their work has been wicked, this year. Success has followed
success and their name has become known throughout the halls and fields of
Leicestershire. Another set bringing brilliant guitar passages to excite our
ears. Another star quality vocalist, in the shape of Mab, more big sounds and
pounding beats. Cleverly constructed melodies with intriguing techniques. I
even saw Mab using a finger slide on his electric guitar, at one point, to
produce an astonishing effect, fusing the elements of classical rock riffs
with a blues idiom and the result was electrifying.
Their set was high rock. It's influences well planted in
the roots of the tradition of classic Brit Rock. Three guys can produce big
enough songs to fill a stadium, let alone an Auditorium. At least the musicianship
was hot. It's a pity I couldn't get a cup of soup at the bar; that would have
gone down better than a pint of over-priced industrial lager, that was all
that was on offer.
We covered Twisted
Wheel's appearance at the Music Cafe on 20th March. It was
clear that a sizeable chunk of the audience had come to see this band,
judging from the way the front of stage area filled with guys for this
band, whereas it remained empty for the two support slots. I say guys because
it was a pretty much male crowd; not quite as diverse as most. What you
would expect for a "ladrock" band.
Twisted Wheel are noted for their fast, fervent songs delivered
with megawatts of energy. Pity we couldn't have wired them up to the heating
system. Their tight, punk-edged songs have won the Mancunian trio many admirers,
not least Liam Gallagher and Paul Weller. It was a ripping set that rounded
off a good night and raised the temperature slightly. The crowd loved them.
Not everyone did as you can see if you scour google for reviews. NME didn't
like them. That probably means they are a good band. I like them.
That definitely means they are good band.
Leaving the Baltic behind I went down to the Shed to thaw
out and have a tipple of my favourite winter warmer.
You can see Little Night Terrors and SuperEvolver on 11th
December at the Donkey, when they are on the bill with Us Wolves.
Wednesday 24th November, The Shed
Kevin Gaughan Reports
It was a cold, dark, Wednesday night at the Shed. Unfortunately
there were very few people in. First band on was Spiridion,
a five piece who came all the way from Wales for our musical pleasure. They
played a varied mix of rock/thrash metal, nice and grungy with a touch of Screamo
thrown in for good measure.
It was all there, good, heavy grunging guitars, all three
of them, with no apologies. Plenty of attitude, tuneful with it, providing
appeal to a wider audience than the hard code screamo enthusiasts. Although
on the edge of my comfort zone, the heavy guitars enhanced my enjoyment and
left me wanting MORE!
Considering there was hardly any audience, Spiridion put
on a fantastic show, full of energy. I really hope they come back to Leicester,
maybe at a weekend so they'll have a bigger crowd to play for.
Next up, Forgotten Sun, who stepped
in in the last minute due to a band cancellation. Forgotten Sun are now a four-piece
from Leicester and play a good dose of heavy rock music, with vocals like Chad
Kroeger from Nickelback, these guys usually hit the spot. Tonight, however,
the sound in the Shed wasn't mixed to their advantage as the fine vocals from
Mat Tacey were a little bit overshadowed by the rest of the band's wonderful
sound.
I won't review them fully here as we've covered them more
extensively before. I would like to add, however, that, like Spiridion, given
that they were playing to an empty venue, they still put on a fine show with
heaps of attitude, which shows their true professionalism.
Leicester's The Lysergic Suite headlined the show with a spectacular
set, supported by three really good bands but marred by technical problems
between the sets. A big crowd turned out for the show.
Kevin Gaughan and Trevor Locke were there:
Let It Rot is "going to be a monthly
club night bringing you the best live music from around the UK" and this
was the launch event for the series.
Electrical faults at the Music Cafe caused lengthy delays
to the show but this did not stop it being a night of really good music. A
goodly sized crowd turned out to see the bands and the large hall of the Music
Cafe was fairly full with people having a great time.
The first act, The Manhattan Project, put
on a fine set of their exhilarating songs. We reviewed their come
back gig at the Oxjam Festival and were impressed by the new material.
It was really good to see The Pennyhangers again.
The four guys put on a stimulating set of their own songs including some old
favourites but with a lot of their new stuff as well.
Up from London, Agile Beast are a trio featuring
Paul Kelly on Lead Guitar and vocals, Daniel McMullan on Bass and Martin Gibbons
on Drums. 2009 saw Agile Beast play their second ever gig at Alan McGee's Greasy
Lips night at Brixton Jamm. The response from that night was phenomenal. Since
then they have supported The Babyshambles, The Rifles, The Paddingtons and
Twisted Wheel, to name but a few.
The Agile Beast boys have been working very hard writing
and rehearsing and are currently in the studio working on their debut album
and will be releasing an EP later this year. Alan McGee said "They're
reminiscent of both Happy Mondays and Flowered Up, but they're so young they
probably don't even realize it and that's why it's such a fresh take on the
guitar-driven, tribal vibe. They're as urgent and powerful live as early performances
by Arctic Monkeys.
Their set was a kick-ass set of tunes, blending together
a whole basket of rock idioms into something sharp and on the ball. Nothing
like this exists yet in Leicester.
We have been following the progress of The
Lysergic Suite since the early part of this year, which has been busy
for them. Founded by Gren Spencer, the band new EP "Ghosts on the Crusade" is
in the shops now, featuring Tom Meighan from Kasabian. The EP was recorded
in the band's own studio in Leicester and mixed by Tim Holmes in London.
The 'Suite are working on an album which will feature contributions from
Kasabian, The Happy Mondays, Death in Vegas and The Black Dove Experiment.
In 2011 the band are due to play SXSW Texas, the huge film and music festival.
Tonight's set by the LS was a spectacular display of the
band's atmospheric psychedelic electronica and and light show. With beams of
laser lights shooting out from an otherwise darkened stage and changing colour
with the moods of the music, it was something never seen before on this scale,
in Leicester.
Whilst psychedelic rock is not new to Leicester, The LS have
mastered the idiom better than any previous local band. They skillfully blended
sound and light into a complete experience. Gren Spencer's impressive production
skills took the stage to the next level. Backed by Adem Custic on drums and
programming and Liam Houchen on bass and vocals, the trio put on a pretty amazing
show.
Lysergic opened their set with an adapt ion of Dum Maro
Dum, a song from the Bollywood film Hare Rama Hare Krishna,
a hit in the 1970s that gained cult status in India. It caught the mood of
psychedlia, complete with samples from the Sitar before launching into the
bouncy theme, backed by samples from the original Indian song.
All of which got me thinking about an idea for a gig where
LS play with the great Raghu Dixit, who appeared on the Jools Holland show
this week, after playing at the Donkey last
September 16th. Wow, that would get an audience going! I'm a great fan
of cross over.
An exciting finale to an evening of good music. Lysergic
Suite are bringing something new and vibrant to the music scene. Albeit with
roots going back deep into English rock music.
The Pavilion, that big white building with the clock tower,
on Victoria Park, resumed Friday night shows with a line up of four excellent
acts. With free entry and drinks at £2 a pint, it was well worth the
trek through the fog to get there. The new management have installed their
own sound system, delivering a plentiful volume of sound, especially on the
vocals and once they have turned on the array of flashing lights, the room
transformed from a Cafe into a venue with a bit of atmosphere.
First on was Birmingham band Criminal Diva.
Their set of lively popular songs got the night off to a pleasing start. Their
set of enjoyable covers and original songs was ably led by the fine voice of
lead singer Hannah O'Connell.
With solid musicianship and a bit of backing vocals, it was
a fine start to the night.
You can see them again at the Shed on 26th February.
Callum and Sam played an acoustic set of
covers that went down well with the audience; they had a large repertoire of
songs which they delivered with panache.
A band I have seen before was Living Mystery.
The young guys from the Hinckley area have developed well since they started
and demonstrated that they are a talented group who know how to perform exciting
music.
They sing their own songs which are not bad at all and some
well loved covers by the likes of Green Day and Blink182. Their new drummer
Lewis Underhill showed off his considerable skills on the skins and the voice
of lead singer Ryan Craddock rang out loud and clear. This band clearly has
a future and their set of exhilarating pop rock songs will be welcome by people
of all ages. A strong performance from a band with a lot of promise.
Samuel Hutchinson has a really good voice
and a likeable stage presence. This talented singer with a solidly good taste
in songs, really did round off the evening. His quality vocals and engaging
songs went down well with the audience. He has also got his musical career
well organised. Aged 26, he is a likeable guy and superb performer blessed
with a fine voice which he uses well. Well worth seeing and his opening song Only
Yesterday is particularly enjoyable. Excellent.
In a city so used to seeing unknown bands playing at tiny
venues, it is a real treat to see a big band playing at one of our new, larger
venues. The fact that all 450 tickets sold out before the the gig, reassures
us that there is a viable market for rock in this
city and that, if the band is right, the fans will turn out.
Even at 7.15 p.m. there was a queue waiting for the doors
to open, one that soon stretched from Walkabout to Tescos at the end of the
block. Outside the venue was one big tour bus.
Even at 450 capacity, Sub91 is not a very
big venue. Bear in mind that the main O2 arena here is 1,200 and the Auditorium
can hold 1,000. Funeral for a Friend is a band that is used
to playing much, much bigger venues. So what are they doing in a venue that
can hold only a fraction of the crowd they usually play to?
The band decided that they would play three intimate gigs
in various parts of the country. Some big bands do this for a variety of reasons.
It's not common but it does happen and much to the delight of their fans who
get to see them close up. Next stop - Stockholm's Annexet, capacity up to 2,300,
supporting Bullet for My Valentine.
FFF played at Download, Leeds and Reading. They won a Kerrang!
award for best UK newcomer and soon got three songs onto the top 20. They have
also won Kerrang!'s Best British Band award.
The Welsh band has been going for about ten years. In that
time they have clocked up fifteen singles, five EPs and four albums. Their
work has been variously described as post-hardcore, punk, screamo and emo.
I say they are dynamic, thrilling and highly musical. Unlike the two support
bands, their music had substance. Inside the storming, high octane songs, there
was real melodic content.
They commanded the stage and the crowd with solid presence.
This was a big event for Leicester and the lead singer, Matthew Davies-Kreye,
reflected that back to the crowd. He made them feel welcome. He made them feel
like this was an occasion, an event that people felt good about and
wanted to be at. They value their fans, they feel close to them and they gave
them a good vibe about being close to the band.
Tonight's set was exhilarating. Big bold songs full of passion
and energy and shot through with a great songs that the fans knew and sang
along to. From the moment the five guys walked on stage, to excited cheering,
they gave it one hundred per cent. The songs throbbed with compulsive rhythms
and and foot gripping beats. That is what makes live music special: the musicians
on the stage, playing to a crowd of people that know their music, enough to
sing along to several of the songs; it was a fan driven night.
FfF have played in Leicester before. Bear in mind that people
had come to this show from far and wide. Some had traveled to Leicester quite
some way to see this band, drawn, no doubt, by the opportunity to see them
close up. I noticed that the audience was quite mixed; from 15 to 50, they
have attracted a wide range of people to their music. It certainly wasn't a
crowd of kids.
FfF tore up the stage with a set of seriously good, high
octane sounds, bursting with beats and majorly melodic content, driven at a
furious and frenetic pace.
Matt Davies thanked the two supporting bands: Rise
to Remain and Boys with X-ray Eyes. The latter
are remembered at the Shed, where they had played comparatively recently.
Good though these bands were, their sounds were rather too similar. It was
like the same band playing the same stuff, just with different musicians.
The adrenalin dripping screamo roared out with rocket-fuelled energy. I suppose
if you're a big band, you don't want to be up-staged by your support slots.
No chance of that tonight.
All in all, a great experience. The bands were great, the
fans were great. A triumph for live music.
A night down at Sumo, featuring acoustics acts and bands,
it was nice to see there was a reasonable turnout from the off.
Find Pocket Girl was first on, a young lad
called Adam Dunmore, 23 from Leicester. He was very good, he kept the music
varied using a lot of imagery within the lyrics of his songs.
The guitar was put to good use and was played with a wide
range of styles, some of which were very catchy and your feet automatically
start tapping along. He's got a very good voice too, flexible and a pleasure
to listen to. He's a confident performer and gave us some background information
about his songs, which gave them much more meaning.
I liked Find Pocket Girl, some solo acts strum along in the
same key all the way through their set, but this lad kept it different and
interesting, with intriguing lyrics.
Next up were Soundtrack, a four piece from
Leicester who had an interesting sound, a blend of funky, rocky, guitary indie
sounds. They played a few covers, House of the Rising Sun, was one
to which they added there own slant, with a nice acoustic guitar section and
rocking it up more than usual in between.
I enjoyed it very much. Mark can certainly reach all the
notes, with some gusto. They finished with their new track, which I particularly
enjoyed. My only criticism might be that they need a little work on their stage
presence as they looked a little wooden at times.
Last on, One Cure for Man, a four piece
from Leicester with a female lead singer, Melissa, which made a pleasant change.
Their style was generally of a heavier, more powerful rock sound with a good
helping of keyboards. Melissa had a very powerful voice complimented by lashings
of solid guitar riffs made for a very pleasing sound.
Again, they could do with relaxing more on the stage and
Melissa looked uncomfortable at times. I enjoyed their music, however, especially
some of the guitar solos which were in plentiful supply. I'll definitely be
looking out for this band again - if they can nail that all important stage
presence, they'll be quite special.
Artsin's night at the Shed was a musical success. All the
acts were good. It was sad that the headline band The Black Tears was unable
to perform owing to the lead singer being indisposed. The acts that did appear
gave us an enjoyable night of quality live music.
Our first act "Uncle Daz" (Darren
Tonge) was described to me as "The Human Juke Box". He gave us a
romp through many of the top hits of the last 30 years or more, playing a mash
up medley of well known covers. His vibrant performance soon had the audience
joining in with the singing.
I recognised many of the songs, even if I couldn't remember
which act they were from, although I did spot Meat Loaf's I'd do anything
for love, Nina's 99 Red Balloons, a song by the Spice Girls,
Neil Sedaka's Oh Carol, Bryan Adam's Summer
of 69, Greenday's Time of your life, Crowded
House, Take the Weather with you and a collection of Michael Jackson
songs. An enjoyable start to the night from an engaging singer.
Our next artist Jenny Jellybean was new
to me but I have to say, I was enthralled by her performance. She opened her
set with an a cappella song, singing in a hauntingly beautiful voice which
she deployed like a fine musical instrument using vibrato to accentuate some
passages. Her set of atmospheric folk songs were distinctive and uplifting.
An excellent set from a fine singer. Solid guitar accompaniment combined with
enchanting vocals. Superb.
Ben Pritchard and Maxwell Wheatley were on next, performing
as We are Headlines. The two guys had well blended voices
and sang strongly, giving a vigorous performance. Max played guitar and both
of them sang a vibrant set of enjoyable songs. A sterling set of covers plus
some of their own songs, well executive and full of verve and bounce. Excellent.
The finale of the night came in the form of Leicester band Aurora.
Danny's fine strong vocals brought the songs alive, with Will Morris on guitar,
Jack's drumming and Fossil's basing bringing the set alive. A fine set of hard
edged songs with good guitar work from Will included a variety of styles delivered
with passion and commitment and punchy attack. I saw them at Lock-42 on 31st
October and wrote up their set on 30th September when they played at the SoundHouse.
Belting.
Kevin Gaughan reports on Superevolver’s ‘Viva
la revolution’ EP release party.
The Soundhouse was busy tonight as Little Liam took
to the stage: one man and his guitar from Birmingham. The first time I saw
this young man was at Strawberry fields in the summer. He impressed me then
and he impressed me tonight. He’s only 23, but there’s something
about Liam. Admittedly a good chunk of the crowd were at the back of the venue
talking among themselves but there were a few, like myself, who were under
his spell. The guitar was played well, the lyrics quite engaging, and if you
took a little bit of effort to listen, you were well rewarded.
Next up, Paladin, a four piece band from
Leicester. By this time, the Soundhouse was buzzing, the place was almost full,
just a bit of a void down the front. Paladin blasted on to the stage with their
rapidly paced set of heavy rock sounds. Musically they were good, the blistering
guitar work by Joe Foxon was well executed and fitted well within the songs.
There was a down side to this act, however - their stage
presence. Most of the time, most of the band looked awkward and uncomfortable
being in the spotlight. Occasionally it was hard to see past this to appreciate
the music fully. I would say Paladin could be a good band in the making. The
sounds are there but the sights need some work!
Last up, Superevolver, a three piece from
Leicester. I seem to keep missing this band, so was quite excited to finally
be able to see them. They had no problems with stage presence, they owned the
stage, in fact, they owned the venue and probably a small part of Leicester,
too! Lead singer Mab, was full of attitude. So much so, the music seemed like
an extension of himself, his guitar part of him and, my god, their sound was
an amalgamation of the whole damned lot.
Their songs were more indie-rock with a blues influence and
lashings of attitude. Unfortunately, they didn’t play ‘Viva
la revolution’ as Kasabian's Tom Meighan, who would normally sing,
was poorly.
All in all, a great set by Superevolver, who I’d love
to see again. They were followed by a DJ who did play ‘Viva la revolution’ and
a good set of indie and rock sounds. Yet another great night down at the Soundhouse
and all for a fiver. Unbelievable!
The King Billy had a good crowd in, even though it was cold,
wet and windy. The range of real ales on offer was bewildering, yet again my
mission was to have at least a pint of each, which instigates the usual dilemma
of 'do I choose my beers from right-to-left or left-to-right', mind you, what
a nice dilemma to have, especially at a gig!
I've seen a few bands at the King Billy but very few have
actually hit the spot.
Having sunk a few beers, Leicester band Skam# exploded
onto the stage with their amazing, solid, heavy rock sound. Nothing new here,
but if you like your rock, you'll love these guys, their songs are laden with
Angus Young style guitar riffs and lashings of heavy rock rhythm. Powerful,
powerful stuff and With vocals to match, Skam# have some amazing material.
Their stage show, too is very entertaining to watch with Matt on bass getting
into the sounds and all three of them loving it. At times reminding me of Motorhead,
Metallica and AC/DC with the stage show and confidence to match.
Hit the spot? - these guys blew it to pieces!
Skam# have it all, I NEED to see them again, and will be
on the 26th, Nov at the Musician in Leicester. I can't damned wait! They are
playing quite a bit at the moment, so I'm going to make sure I see them as
much as possible.
The Winner Takes All Final saw Stand By get
the first place prize (47 votes), followed by Comarades (38
votes) in second place and Chase The Season (20 votes).
Come back soon for photos and reviews of each of the bands
that played.
Bands that played:
AFS
One performer doing some interesting electro/keyboard improvisations.
Different!
Chess Club
Astonishingly good music from this young band who are probably
one of the best new bands to appear this year. Bearing some similarities to
the fabulous These Furrows, their avant-garde set launched
off with a sharp, angular piece, laden with complex rhythms and wedgy guitar
riffs. This led straight into a bouncy, poppy number with an engaging vocal
lines from lead singer Max. Big on style and buzzing with creativity, this
young band is making waves at the moment. Their bubbly set of punky songs is
delivered with pizzazz. Cleverly inventive guitar lines spliced together with
a raw edge and striking attack, they proved themselves to be able songwriters
as well as entertaining performers. They have broken the mould for young bands.
And we like the last song, the one about the "transvestite cobbler"!
Their own song "The Other Side" was an agreeable
piece; otherwise they played a good choice of classic indie covers. Impressive
drumming from George Hall. From Melton Mowbray, the band has been playing together
for about a year.
A young covers band who delivered a spirited performance;
some well played songs by famous bands, for example, Kings of Leon. From Leicester,
the young band members have been playing together for 3 - 4 years. Accomplished
musicianship for such a young band, they delivered their set with a god deal
of gusto. Entertaining.
Chase the Season
Pleasing set of original melodic songs performed with vitality
and presence. A talented trio from Leicester and Market Harborough, the guys
have been playing together for about one and a half years. Their set of indie
songs with a dose of american rock influences, was given a strong lead from
vocalist/guitarist Dave, and driven smartly along by "Chopper" on
the skins helped by Theo on Bass.
Members of Stand By receive their prize from Silver Bullet
Promotions.
Why don't more people go out to see a band? Leicester is
awash with live music. Music of all kinds, all styles, all flavours. You can
see local bands and those that have come here from all corners of the UK. Sometimes
from abroad. People will go for the big events, the gigs with the national
star attraction. Some of the best musical experiences of my life have been
in small venues, listening to bands that are unknown, line ups of bands that
play a night of quality music. Tonight was one of those magic occasions when
it all worked.
Quite a lot of people I meet have never been to the SoundHouse
and don't know where it is. It's really very simple: it's within sight of the
Leicester Mercury building and the Phoenix. A stone's throw from the railway
station and spitting distance from CURVE. You can get to it from the Clock
Tower within five minutes. As a new venue, it is a growing reputation for its
quality sound, reasonable bar prices and friendly staff. It doesn't put on
eight bands a night. Three bands is the usual line up.
They are three well chosen bands, usually well balanced and
blended to give a credible and pleasing night of music. Tonight was one of
those occasions that is confirming: confirming that you are an ardent fan of
live music, confirming that you appreciate musical talent and confirming that
you love rock 'n roll. Or just rock.
It may be Thursday. It may be a small venue. It may be bands
you don't know that well, but all the sets were absolutely top notch music.
All for very different reasons. That is what makes live music exciting, enjoyable
and rewarding. You can never be quite sure of what you are going to get. Live
music is full of surprises (in Leicester.)
From the delightful, vibrant and skilful set played by The
Working Projects, through the surprise of hearing Rooster from
the Heroes singing solo and the invigorating performance by Citizen
Smith, to the crazy, rocking set of The Twist,
it all worked, it was all entertaining and it made you feel it was what live
music is all about.
Friday 15th October 2010, O2 Academy Leicester
Rachael Mannix reports:
Dan le Sac Vs Scroobius Pip With Kid A and Misty's Big Adventure
supporting.
The taxi's late. I'm supposed to be meeting my friends at
seven so that we get to see all of the bands, but it's half seven and I've
had a fair few 'Where are you? Hurry up!' texts.
The taxi arrives, I give the driver an earful and we set
off. It's raining tonight and there's a lot of traffic on the roads; fantastic!
I finally arrive outside the O2 Academy; it's essentially just a building the
University of Leicester had to spare.
I walk round to the back of the building where the main entrance
is and wander in. There's a lot of security here and they're miserable as sin.
I get my ticket scanned, meet my friends and head to the bar.
Oh how I wish I hadn't! There's about three staff working
and a few hundred people in this hall, most of which want a drink. As you'd
expect, it takes a fair amount of time to get ripped off. This place is a joke.
My friends inform me that I missed Kid A. I'm more than disappointed;
I love Anni T's sultry voice, haunting lyrics and the hypnotic electro-pop
she combines them with.
However, I'm also told that the set was less than enjoyable.
'Slow and boring' seems to be the general consensus. I'd be sad to think that
this was true, especially after the rave reviews Kid A has been getting recently;
a matter of taste perhaps? I hope so.
Misty's Big Adventure are up next. There's
a fair bit of confusion at their appearance from those who aren't familiar
with the band. The front man's a small, awkward looking hairy man in tatty
clothes and a cloth military hat, stood between two girls on brass; one of
which is twins with the keyboard player.
There seems to be an awful lot of people on stage ... eight
in fact; on top of this, as they play, a man covered in blue face paint, wearing
what looks to be a red bed sheet that's been turned into a jumpsuit with a
hood, and covered in stuffed blue gloves, dances around on stage; arms flailing
and gloves flapping. He has a different, but equally energetic dance for each
song. If the idea of having him up there was to detract attention from the
small, awkward, hairy man, it seems to have worked!
Everyone's enthralled by this madness. Their sound is something
along the lines of upbeat, jazzy, ska enthused, pop-punk, with witty, pessimistic
lyrics of confusion and bewilderment at life in general. There are whispers
of Pulp and Reel Big Fish and all manner of other sounds. It's like watching
a strange carnival act as the ringmaster, 'Grandmaster Gareth' (small, awkward,
hairy man) mooches around the stage languidly singing his lines in his slightly
Aaron Barrett-esque voice, as though he's having a chat with his mates rather
than being stood in front of a couple of hundred people; a stark contrast to
the rest of the stage which is literally buzzing with energy.
Everyone's dancing, laughing, and generally having a good
time. As the set ends, we hazard another trip to the bar; and so does everyone
else. Luckily the wait for the headline act isn't long so the crowd disperses
quickly. As they take to the stage the room turns electric and Dan
le Sac Vs Scroobius Pip dive straight in to their first song.
The reaction from the crowd is slightly strange; all dancing,
singing along and getting excited, but as David Meades (aka. Scroobius Pip)
points out; the four songs we've just heard are about suicide, spousal abuse
and the demise of Great Britain. 'You're not here to have fun! You're here
to feel bad about life!' he quips before crashing straight into another equally
depressing song about insecurity and inadequacy in a relationship and settling
for someone you don't love.
Although these songs are generally cynical and saddening
in content, the electronic beats and samples Dan le Sac has to offer, including
Radioheads Planet Telex, contrast beautifully. Scroobius Pip is a lyrical genius;
flawlessly conveying his opinions and ideas with conviction and poignancy;
never preaching and always compassionate. Whether rapping or speaking, his
words are always perfectly in time and always perfectly accentuated at the
appropriate times.
His limited stage props bring some humour to the proceedings
and the banter between him and Dan le Sac and with the audience is witty without
detracting from the intensity of the performance. Kid A joins them for a beautiful
rendition of Cauliflower. I realized during this particular track, something
that had never occurred to me when listening to their recorded collaborations;
Daniel Stephens, as well as being an incredibly talented DJ and laptop musician,
has a fantastic voice.
Sage Francis, Joy Division and Kraftwerk are clear influences
here, but this sound is most definitely their own. They're an exceptional hip-hop
duo. They leave the stage, only to return for an encore a few seconds later,
this ends with an astonishingly inspirational performance of 'Get Better';
leaving the audience frantic, excited and utterly distraught that this really
is the end of the gig. In short, Dan le Sac Vs Scroobius Pip were perfection
tonight.
Friday 15th October, The Auditorium
Over a thousand young music fans gathered in the city centre's
Auditorium venue to enjoy a night that was headlined by chart topping pop rapper Example.
Supported by our local bands, the night kicked off with The
Weekend Schemers, who ended their set with a new song. No strangers
to big crowds, the 'Schemers looked relaxed and comfortable in front of the
massed throng of teenagers, crowded into the big floor area in front of the
stage.
The 'schemers put on an exciting set of their compelling
songs, lead by Andy Cooper and solidly backed by Connor Evans on guitar and
Joe Doyle on bass with Harry Radburn, keeping it all moving on the skins. They
ended their set with their new song, showing the new side to the band's musical
talents, a powerful and impressive number, full of incendiary beats and intense
riffs, it demonstrated that this is a band that knows how to move with the
times. Excellent!
Their new song marks a change of mood and direction for the
'Schemers. They have brought out something altogether different from their
existing back catalogue of melodic, poppy melodies, venturing into bigger,
heavier and more powerful music. Their set clearly won the crowd who reacted
with loud cheering and screaming as the lads put down their guitars.
In between band sets, Dj Nathan Kearney kept
the party going with some high caliber choices of rock classics. The kids were
dancing to the tunes and waving their glow sticks in the air. It's great to
see the teenagers of Leicester getting some big music experiences now that
they have been waiting for over a long time. With the opening of the O2 Academy
and now the Auditorium in full swing, Leicester is suddenly a great place to
be.
The night attracted a mixed crowd of musical tastes, including
those whose main interest lay in the indie style songs of the live bands and
those whose main interest lay more in the hip hop of Example. Spotted in the
crowd were some of the leading figures from Leicester's dub step scene, such
as Kane Johnson from Nemesis.
Pumping out a set of superb electro dance numbers, Autohype,
led by the charismatic figure of Seb Twigden, gave the crowd a rewarding half
hour of their glittering songs ... echoed in guitarist Martin's sequined shirt.
Seb was there is his hallmark tie-die T and all the band sported their iconic
red shoes. Ed the skins went naked as usual and in the drippingly hot atmosphere
of the room who can blame him.
The 'hypies gave us a dazzling set of songs, piling compelling
rhythms on top of memorable melodies and fizzing vocal lines. A jubilant set
that kept the party going. Many established classics were played alongside
some new material. Seb strutted around the stage, jumped down into the pit
to get touched by a forest of hands and worked the crowd while Nicci loaded
the songs with some closely harmonised synthing.
The stage was flooded with smoke and colour and some eye-blinding
strobes flashed on to the crowd. At one point I thought I heard Seb offering
Mason as a prize in a competition. I wouldn't put it past them! Autohype are
a phenomenal local band; not only do they put on hugely good shows but they
also turn up at gigs to watch other bands. They have probably played to more
people than most other Leicester bands; if you added every one who has stood
in front of a live Autohype set in the past two years, your getting towards
one of the most watched bands in the local area.
The crowd loved them; I haven't heard screaming that like
since the days of the Beatles! They finished their set with "Catch Me";
a forest of arms rose in the air and the kids really loved this iconic song
with its catchy tune and beltin' beats. Superb!
The 'hypies went off stage and Chezza appeared
to loud cheering from his army of fans. James Cherry is not a new comer to
either Leicester or rapping. His fan base has grown steadily to enviable proportions
and it is only this year that he has been catapulted into the lime light, thanks
largely to the ambitious management driving his name into the public consciousness.
Artsin interviewed
James in August when he was our singer of the month. Now with a set of
very able musicians behind him, Chezza is both
the rising star and band. With Pascal Mowla on guitar and Chris Barwell on
bass, the line up was remarkably completed by a stand in drummer, replacing
the surprising absent Adam Horton who, we were told, was "away on Holiday".
After Dj Nathan's pumping build up, James emerged from limbering
up in the wings to be met by a vast scream from the floor. The ordinary joe
grimecore rapper doesn't believe in dressing up for the occasion; with a simple
white T and cream trousers (which managed to stay up for night) he echoed the
styling example of the big name headline act. Don't get dressed, stay street.
he announces his prime song Pretty Blue Eyes to
a big cheer from the audience.
The crowd starting singing it even before he did. There is
no doubting the immense popularity of this local artist; his half rapped, half
sung song uses the repetitive lyrics that are the hall mark of the idiom, and
although the delivery plodded along at times, the crowd got the chorus. Looking
relaxed on stage, if sometimes overly relaxed, the young rapper might have
lacked charisma, but could bask in the adulation of his following.
Although his material is not strong on substance, he has
enough ego to deliver it in front of a big crowd; it certainly won over his
army of adoring fans but whether it could win over an equal size of people
outside of his home town remains to be seen.
Tonight he enjoyed his biggest performance, knowing that
he is supporting one of the biggest names in popular music, who would soon
come and stand on his spot. Well we had to wait a long time for that to happen.
The MCs got their decks set up and began a half hour of pounding music. Unlike
Professor Green, Example doesn't use live musicians or support
vocalists. His act is about himself and his tracks. I have to say though that
the MCs on the stage did a resoundingly good job of playing massively thumping
sounds for half an hour until the man himself finally appeared on the stage,
to a deafening roar from the now full house.
The 28 year old London based electro pop rapper, signed to
Data records, derives his stage name from his initials e.g. (Elliot Gleave).
The extensive build up from the MCs served to heighten the whole experience,
giving the star's appearance that big event experience.
Laden with huge booming bass lines, the sound is akin to
club music brought up a forest of waving arms in the now sauna-like atmosphere
of the quite dark hall. This act is all about one guy and his crowd of young
fans. The crowd knows his songs and the highlight number is Kickstarts,
the hit that I like a lot and which won him a place in the charts. When
the love kick starts again. I remember him performing it in front of
4,000 fans in August at Strawberry
Fields.
Put your hands in the air Lesta,
he shouts from the stage. The whole room is jumping. It's a night many will
remember for a long time to come but then that's what music is about.
A night of new beginnings. It was a cold, dark, wet night
and the new venue wasn't easy to find, probably because it was cold, dark and
wet and I wasn't in the mood for faffing around, luckily I followed someone
who seemed to know what was what and guided me to the venue.
This was a gig for all ages and so alcohol was not being
served at the bar. If I'd have been more clued up on these things I would have
brought a hip flask like all the youngsters did, as they were outside having
a great time!
On entering the venue, you could still smell the paint as
you walked straight into the large, well lit bar area with a very tall ceiling.
The gig area was set off to the right and a lot smaller. I really liked the
layout as it provided a good sized drinking area for those that wanted to get
away from the music for a bit. The gig area was smallish but just right to
provide an exciting as well as intimate atmosphere depending on the music.
My only slight concern is that they've got some great bands lined up so I can
see the gig area getting VERY busy. It was nice to have an elevated section
at the back providing a great spot from which to see the bands.
First band on, Drive by Disco, a young four
piece from Leicester, who came onto the stage by doing a simple choreographed
sequence. Although a little cheesy, it was unique and was good to see a band
trying to do something different. I presume they bought a coach load of their
own fans as the place filled with extremely enthusiastic youngsters having
a fantastic time.
The music was very mature and quite diverse with each song
sounding different from the last and standing out on it's own merits. Their
songs were instantly likable and very catchy. The style was indie rock and
they completely engaged with the audience having plenty of audience participation.
I really like this band and will look out for them as I think they will have
a great future.
Next up, Third Time Lucky, a young three
piece from the Coalville area who also brought a coach load of their own, very
enthusiastic, young fans. This was their last gig as Third Time Lucky as they
announced they're changing their name to New Town Image. They said it represents
a new phase in the band's life as it matures. The band kept up the momentum
set by Drive by Disco and probably even turned it up a notch as the fans in
the mosh pit really started to fly, literally!
Third Time Lucky churned out track after track of really
well crafted, guitar laden music with tons of energy. Their music is fantastic
fun and very well put together and so catchy, it is difficult not to like them.
They were a fantastic band; I really look forward to what New Town Image have
in store.
Time for a quick one in the pub over the road before Ictus came
on, slowing the pace down a touch, but still had a decent sized crowd. Ictus
are a four piece from Leicester and were formed in 2000. A with the previous
bands they showed a wide range of styles which were punched out with total
enthusiasm and professionalism.
Having been around longer than the previous bands they did
have a more mature sound possibly because their set was slightly slower with
more complex lyrics. They performed a thoroughly enjoyable, very entertaining
set.
Last on for the night were Neon Sarcastic,
a five piece who again played to a big audience. Showing a wide range of styles,
they got the crowd doing more of a dance action rather than a mosh one, which
was much safer all round! The music did have more of a dancier feel to it,
but was still up-tempo and had plenty of energy. The vocals from John Wilson
have an individual sound, giving the band their unique edge.
During their set they worked the audience up into a frenzy
so that the crowd could be recorded for their up-coming EP which was great
fun. Neon Sarcastic put on a great show and went down really well with the
crowd providing a fantastic finale to the evenings events.
A great night in a new venue with some of Leicester's finest
bands. The sound was very good, atmosphere electric, facilities were spot on
with plenty of space to move around and get in and out of the venue. I look
forward to seeing more of tonight's bands and a lot more of the venue. It feels
like things are really warming up now on the Leicester music scene.
Leicester band Formal Warning took to the
stage in the A3 room at the O2 Leicester with Silent Devices to
support Northern Ireland's indie band General Fiasco.
Squashed into the tiny floor level performance area, the
five piece band presented a set of their popular rock songs, surrounded by
a pack of their fans. There being no stage, you could only see lead singer
Ash Wright if he stood on a monitor.
In an area of about the same size as the main room at The
Shed, the band area was on floor level and the lack of any obvious ventilation
in the basement room created a sauna-like atmosphere. Even so, the bands put
on quality performances to a packed room.
With their set of energetic songs, FW were sporting a new
image for the night and delighted their loyal fan base with some of their best
loved songs. When ever and where ever they play, FW always put on a quality
set and tonight they showed again that they are a well established and well
liked band. They have moved away from the covers they used to play, to focus
on their original songs and have come up with some classy new material of their
own.
On tour, North Ireland indie band General Fiasco,
stopped off in Leicester to delight their fans with their set of bouncy dance
tunes. Pumped out with fervour and passion and delivered with lashings of energy.
their set went down well with the crowd.
A successful band, they have supported the Wombats, The Pigeon
Detectives, the Enemy and Kids in Glass Houses among others and are in the
running for a Kerrang Best Newcomer award. They are signed to Infectious Records.
With their stomping rhythms and attractive melodic lines,
they caught the mood of popular indie, lead singer Owen giving an excellent
performance from the bass. An enjoyable set in a good night of live music.
The new Leicester O2 Academy is in full swing now, with all
three rooms in full operation, even though the main entrance still looks like
a building site. Tonight's show took place in the middle-sized room, the legendary
Queens Hall of yesteryear, where the oak paneled walls are imbued with the
sounds of great bands gone by.
The Heroes took to the stage with their
rocked-up set of established and a couple of new ones including Bleak
Street and Cocaine Baby. Talking to me before the show, guitarist
Alex Van Roose (Rooster) said "I can't wait to get up there and tear up
the stage". Yes, they got up there and smashed it. In a half hour of top
class music, the Heroes presented a set of their quality songs. Sadly, this
was the last gig with their second drummer, Liam, who leaves the band after
tonight.
Still very much under the influence of the Libertines, despite
a new harder edge to their material, the band gave a top performance, with
lead singer Alex Totman commanding the stage as always with his charismatic
presence and sizzling vocals. In a set that sparkled with engaging songs and
class act delivery, the three font singers layered the backing with crackin'
melodic lines. They also delivered one of their smash hit songs Blue Rave,
which has to be one of the best songs written by a Leicester band in recent
times.
In a set laden with memorable melodies and catchy riffs and
intoxicating instrumentals, their feverish beats and compulsive rhythms, they
truly tore up the stage and ended to the enthusiastic applause of the now full
room.
There is a big buzz about Leicester's SuperEvolver.
After their acclaimed appearance at the Strawberry Fields festival in August
and their storming set at the Soundhouse in September, the band has set itself
into the top of the local band scene. Tonight the three members of the band
showed off their considerable artistry, led by the superb star quality performance,
singing and guitar playing of Mab.
Lots of electrifying instrumental passages leading into Mab's
vocals soared out over the hall. The crowd was made up of some students, some
townies and a smattering of the local rockerati. Curiously the crowd's response
at the end of the set was less than ecstatic and I wonder if sandwiching SuperEvolver
between The Heroes and the Screening was not the best idea. Good though they
are, they do not necessarily appeal to all of the people all of the time. The
same set in a different lineup might have elicited waves of adulation.
Not such problem for The Screening, who
vast fan base had turned out in large numbers to celebrate a night with their
much loved band. After a bit of a long pause, the crowd moved in towards the
stage and the band members appeared amidst the smoke to cheers and screams.
They played a broad selection of songs from their extensive
back catalogue, including some of their bit hits such as Girls
are Pretty and Diem. Infectious songs, pacey beats, sharp breaks
and big sounds filled the room as Tom Nurse owned the stage, working the crowd
and drawing them into the action.
With a set of non-stop action songs, intensely packed with
magic melodies and big soaring guitar parts, they gave the room what it wanted
- a great set of big scale indie songs. The fans were clapping and singing
along, waving their arms in the air and calling out, bringing a festival atmosphere
in the hall. The smoke machine was coughing out huge clouds of smoke and Tom
disappeared from view a few times.
A great night of live music with our local top bands. Shame
about the variable sound quality between the bands and the lame duck service
at the bar. Nothing is perfect!
Artsin organised this night to showcase both established
bands and to introduce new acts. Starting the show was a trio of newbie performers: Gentleman
Swagger (a beatboxer), Slyone (also a beat boxer)
and MC Twisted Penny. We have seen a number of beatboxers
appearing in recent times: a technique in which the performer makes vocal sounds
into the microphone to create tunes.
They were very good at it and had a firm grasp of rhythm
to create their remarkable musical inventions. Rapper Twisted Penny performed
an excellent set of raps to his backing tracks. The group launched the evening
off to a good start with something new and different but nevertheless entertaining.
Starting the bands section, Smokin the Profit,
a well established Leicester band, presented their new set of songs, now with
a harder edged sound but still retaining some of their well known and much
loved songs. Delivering a set of songs with their distinctive style and characteristic
riffs, the band was led by the vibrant vocals of Tommy Bee, ably backed by
Hilary Fox on guitar and vocals, Sam Winterton on the drums and Andy Morgan
on the bass.
Big banging tunes were the order of the night, interlaced
with compelling dancy numbers and the crowd quickly got up to dance. Sparkling
with glorious guitar work and stylish beats, this ace band brought the room
to life and delivered a crackin' set. Excellent!
Leicester covers band Steve's Corner gave
us a enjoyable and nicely chosen set of well known rock hits. With the lead
vocals of Alana Fishburne, the band ably showed off their musical skills. Whilst
they are a new band and currently playing covers, they told me they would like
to work up some songs of their own. With their tight musicianship and energetic
performance, they are attracting a following and have a busy programme of gigs.
Leicester big beat, alternative quartet Paladin gave
us a set of skillfully executed, big thumping songs threaded with soaring flourishes
from guitarist Joe Foxon and pushed along by the vigorous drumming of Craig
Shaw. The attractive vocal lines and melodies were ably delivered by the strong
vocals of James Shaw.
The big rocky songs put out with plenty of attack and style
got the crowd moving and ending with an enthusiastic response from the floor.
Sustained applause and shouts of "encore" soon had them back on the
stage to give people a splendid cover of Stevie Wonder's Superstition which
got the whole room dancing. Beltin'!
Paladin are appearing at the SoundHouse on November 6th.
An enjoyable night of varied and enjoyable music, Artsin
looks forward to its next showcase at the Shed on Friday 12th November when
we will bring you another lineup of new acts and established bands.
Friday 1st October, DMU Level 1
Seeing a line up of live bands at Level 1 is a rare event.
Which is a shame because it's quite a good venue. When I arrived at 7.30 p.m.
the room was full - probably holding around 800 students, but they were all
enjoying a show of stand up comedians. The bands were not due on until gone
11 p.m. We thought - ok, great, all 800 students will stay for the bands. Not
sure that most of them did. They were joined by some people from the town,
but the bulk of them were clearly not rock fans and, this being fresher's week,
they would not have known the bands on the line up.
Eventually Leicester band Scarlet Soviets came
on to the stage. They played some really good songs, charged with pounding
beats and high pitched soaring guitar riffs. The influences on their Myspace
show that their musical roots are nurtured by a a very wide range of music
appreciation. Their set of mainstream rock was delivered with commitment and
it got the show off to a lively start. I think anyone with a broad appreciate
of the genre would have been engaged by their sounds.
The crowd peaked for Leicester's Little Night Terrors (previously
known as The Displacements), now with a whole new set of songs. With the superb
vocals of lead singer Andy Stone, backed by Nick Eversfield, Callum Price and
James Stone, if you hadn't heard them before, you would have been won over.
A band with considerable charisma and an amazing set of highly vibrant songs,
they delivered an exhilarating performance. Creative songwriters, they have
penned a next level set of tunes. With three good front singers, their sound
has a fullness and vitality and their experience over the past four years has
enabled them to evolve into a leading band..
Top class, tightly executed songs, delivered with fizz and
excitement, they won the audience over and the excitement flowing back on to
the stage was tangible. Many people came up to me after their set to say how
good they were.
With drinks at £1 a pint, it was heaven. The audience
was clearly a mixture of town and gown, although you couldn't really tell which
were which, but by the end of the LNT's set, there was a good sized crowd of
fans in the room, all having a really good time. A few Leicester bands were
in the audience to share in the fun. Bear in mind though that the first band
did not start playing much before 11.30 p.m. but the atmosphere was good and
people were enjoying themselves.
The atmosphere changed when Silent Devices started
their set. Whilst the Scartlet Soviets were a suitable warm up for the Little
Night Terrors, this set chilled the room down. The ambient, electro sounds
of Silent Devices was a great listening experience, a concert level performance,
described by the Monograph as "unhurried, natural melodies". I saw
members of Autohype studying them intently. A slow intro gradually built up,
until the vocals came in. Layered with synth and keyboard, they produced a
skillful mixture of sweeping sounds and delightful melodies. Studied with moments
of rich intensity and carefully blended textures, the songs were tantalising
and deliciously ear pleasing.
Good though they were, it was entirely the wrong band to
put on at this point on a very late Friday evening and by the end of their
set the room had visibly emptied.
When Autohype took to the stage at 2 a.m.
the party should have been in full swing with a lot of well wetted spirits
dancing the night away. Sadly, the great Autohype played to a near empty hall.
Stories of students staying up all night to have a good time are true but I
guess a lot of people had somewhere else to go for that. The hard core fans
that were left were treated to a session of revved up dance music, wonderfully
presided over by the star qualities of lead singer Seb Twigden. No matter how
big or how small the audience, Autohype always put on a first class show.
I have seen them play at some of the best gigs ever and their
set of highly danceable songs has set rooms alight all over the Midlands. Their
brand of compelling electro-pop has broad appeal and they have produced some
of the best songs of all Leicester bands in recent years.
Had they gone on after the LNTs, the party would have notched
up and it would have been a memorable gig.
A wet night in Braunstone Gate was not dampened musically.
In Sumo's basement room the atmosphere was hot. First on was Leicester metal
band Hybrid Trend , a quintet of students with a free standing
lead singer, Ali Dunlop. Their set of hard rock songs featured some great,
rolling guitar riffs, although Ali's vocals might have been less impactful
than the power of his backing musicians. Strong on attack and instrumentation,
they delivered a well mixed set, with some infectious, bouncy songs, interspersed
with some quieter, more reflective passages.
They proved they could belt out some resounding passages
and wove some engaging melodies into the sound, their lively songs ably holding
the crowd's attention. The drummer, Greg Thompson , did some particularly noteworthy
work but there was a lack of vocal layer, with backing vocals being sparse,
which was a shame as more attention to that layer in the music would have complemented
the weaknesses of the lead singer's contribution. Overall, it was an enjoyable
set of hard edged, nu-rock ballads.
The Black Tears have been reviewed before
on this page and it is clear that this band has established itself in Leicester's
musical geography. Their set of rocky, melodic, pop-edged songs and compelling
stage presence has earned them a prominent place in the local live music landscape.
Whilst some hard rock can be ponderous and brooding, this
band celebrates the idiom, filling their big rolling sounds with sparkle and
delicious tunes. Their crackingly good set brought a warm response from the
crowd. Excellent stuff!
Silent Resistance is also no stranger to
these pages and they opened with a seriously exhilarating introduction that
had all the fury and force of nu-metal, until lead vocalist Ryan Tailor began
the flowing melodic line. Lots of head banging, hair shaking sounds and pounding
drum beats were counterpoised with softer, melodic passages which lulled the
audience before bursting into ear-bleeding screams. It was rock music on a
Wagnerian scale.
Ryan pushes his vocal chords to the limit, his strong voice
coping as well with the tunes as it did with the screams and shouts, whilst
in the background the guitarists were weaving rich tapestries of complex instrumentation.
Backing vocals from the bassist were added to emphasise and highlight the leading
song line. We came to the song with the clappy bits, where the band members
and those in the audience who know how it goes, add hand-made percussive punctuations
to the fast, foot-stomping song.
They performed a song Demons that come for me from
their forthcoming EP, due out in December. The slow, somber, atmospheric intro
features lots of distorted bass riffs and grinding guitar sounds until they
build up the scale and velocity of the song, rising to a storming finale. On
stage the five musicians are living the music in an act of musical theatre.
No shoe-gaze band here, they throw themselves into the music, so that the crowd
can see the music, as well as hear it. Powerful and electrifying.
The trio of veteran musicians that is Skam# took
to the stage and launched into their set of high octane rock n' roll songs,
presenting a melee of memorable melodies delivered with considerable aplomb.
Here is a band that exudes enjoyment. They make their set into a show, Matt
on the bass taking the role of the comedian, Steve the lead singer and guitarist
working the crowd and the drummer holding it all together in the background.
I have known this band for a very long time and some of their
gigs are etched into my personal history of live music. Steve Hill stands out
as one of the great rock guitarists of Leicester, taking plenty of opportunities
throughout the set to display his virtuosity on the strings, whilst also demonstrating
his command of singing.
It's a set of rollicking rock tunes, delivered with expertise
and a huge level of fun. First class musical entertainment, lyrics with substance
and songs laden with infectious rhythms, these guys know how to rock. They
give the room energy, passion and a punchy performance that has class and panache.
It's a sound that ranges from monsters of rock scale
through to the delightfully playful finale of She's a Lesbian, in
which Steve Hills organises the crowd into participating in the iconic chorus.
A band with a massive back catalogue of music, and I have
seen these guys play a lot of it, their show has few equals on the local scene.
Though they can play almost any well known rock cover, Skam# are primarily
an original band and the discography of their own songs is extensive.
The Lysergic Suite acoustic set 'the Soho
Sessions' at The Endurance in Soho, London.
After a three hour drive, batting through the London traffic
at a snail's pace, repeatingly loosing the signal on the Sat Nav, I eventually
made it to Soho, parked up in China Town and made my way past the 'sights of
soho' to the Endurance.
Soho being Soho, the atmosphere on the streets was buzzing
- trendy bars and pubs alike, heaving, with their clientelle spewing out onto
the streets. Before I got to the Endurance, I too was buzzing and in the mood
for a great night.
It didn't take me long to start chatting to the band, the
first time we've managed to have a proper chat and what a really nice, genuine
bunch of lads they are - just in it for the love of the music and because it
'feels right'.
The Endurance was very busy and everyone was talking as loudly
as was humanly possible. Liam (bass guitar) expressed his concern that the
crowd may continue to chat when the band were performing. As they were about
to play in a small corner at the back of the room, I had similar concerns.
Bang on nine o'clock, the threesome from Leicester started
their performance. This was to be their first acoustic set. I was looking forward
to it, as I thought it would help show the quality of the artists. The band
seemed totally at ease and Gren (vocals) was completely at one with the music,
feeling every word of every lyrics. A completely effortless performance by
the whole band. It was a pleasure to hear the acoustic versions of some of
their material as I think they converted well.
The Lysergic Suite often have guest singers on their tacks,
which is great, but I would like to hear more with Gren at the helm. I think
his voice has so much to offer and this set enabled me to focus in on it. It
seemed quite flexible and sweet sounding, atmospheric at times.
There were a reasonable amount of people listening to the
band, but over half of the pub continued to shout at each other when the band
were playing. I didn't notice this when the band were on as I was absorbed
by their performance, but it was noticable at the end and between songs.
All in all, a nice performance by the band. The venue wasn't
really set up for live music as they were tucked away at the back and most
people had come for a beer, not the band. Certainly whetted my appetite for
more acoustic or semi-acoustic performances by this band, as they clearly have
the material and talent to do it well. Really looking forward to seeing them
on 20th November at the Music Cafe in Braunstone Gate.
Worth travelling five hours for a 30 minute acoustic set?
Oh yes, without a doubt. Let down a bit by the venue, but it was really nice
to meet the lads who appreciated their Leicester fans making the effort to
see them in London.
Friday 17th September, Market Harborough
Rachael Mannix reports
Another Friday night, another gig. We're running late as
usual; doors at eight and bands on at half past ... it's quarter to nine. We
rush across the street into the club where the bands are going to be playing.
I'm greeted by a few of my friends, already half cut and ready for a dance.
Time to play catch up! Thankfully the bands are running a
bit late so we haven't missed much ... or anything. Evolution is
basically the equivalent of a school disco doing its best impression of a nightclub;
looking around you'd be completely at ease with finding a table full of Panda
Pop and Mini-Cheddars manned by a sombre looking Head Teacher rather than a
bar.
Happily however, there is actually a fully stocked bar -
.two, in fact. Sterile and austere, it's comprised of two smallish white rooms;
one with a snooker table, some arcade games and a bar, and the one we're all
squashed into; a bar, some chairs and the 'stage' area. There are flags all
over the walls for some reason, and strange disco lights everywhere.
There's a nice but tiny smoking area out the back, although
it seems to have been kept somewhat secret as everyone's smoking out at the
front of the building ... handy. We go to the bar and get a couple of drinks
in, everyone looks a little uncomfortable in their surroundings right now,
but I'm hoping that once the beer's been flowing for a little longer, and the
music's started, everyone will soon settle in nicely.
The Dirty Future are up first. They're a
relatively new band, but they've got a good strong sound, and although a little
on edge, their front man Dan Fordham has great stage presence and a good rapport
with his audience - having a little dance and saying hi to his mum; the boy's
got style. The rest of the band don't seem quite as comfortable with being
subject to a gang of expectant spectators and recoil a little into their own
worlds, but they play each song with finesse.
Their last two songs however, really seem to open them up.
They've suddenly become exciting and fierce, exposing their real potential
as a band and the audience are loving it; you can really tell that the band
are too.
Their sound is something like that of Joy Division combined
with The Rolling Stones and Babyshambles, creating an invigorating and exuberant
sound; had everyone been a little more comfortable with their environment,
I'd imagine we all would've had a bit of a dance. I anticipate great things
from these guys.
The set ends and people rush to congratulate the band on
a quality set; they're buzzing. We get to the bar to buy in a few more rounds
during the interval, and then stagger out into the smoking area for a catch
up and far too many horrendous photos.
What's this? My camera operating skills seem to have diminished
intolerably! We're a loud and rowdy mess by the time The Working Projects take
to the stage. The Dirty Future certainly helped to rouse the audience, and
we're all past caring about the stark atmosphere of Evolution, and have started
creating our own.
The set is beautiful. Everyone's dancing and singing and
getting involved this time around; the charisma of the band, the copious amounts
of booze and the stirring first act seems to have helped considerably in getting
everybody moving.
I've seen this band before, but more out of mere curiosity
than through being a fan. The obvious comparison wou ld be with The Libertines
who have quite clearly been a major influence on the band; but there's also
considerable similarities between them and the likes of The Coral and The Strokes.
Perhaps at times even Jimi Hendrix. The Kinks, The Clash,
The Jam and Buzzcocks all rear their heads; but the key inspiration here seems
to be The Beatles ... but with a little, je ne sais quoi!
The front man, James Side's voice echoes that of Carl Barât
but also of John Lennon , an unusual combination but with a beautiful result.
The lyrics are well beyond average; they are witty and understated. The bass,
as with any good band, is strong and pounds through each song, adding depth
and a kind of charm to the dramatic motifs of the guitars and the faultless
beat of the drums.
Being in a room listening to this band leaves you entirely
in your own world; just you and this seductive, somehow enigmatic music. How
a band with a performance so polished, can still keep the gritty texture of
their sound, is beyond me. It's astoundingly lovely.
Friday 17th September
If it's Friday it must be the SoundHouse! Well, tonight was
a pretty unmissable event as it turned out. A lineup of top quality bands,
a crowd sparkling with the rockerati of Leicester and a surprise visit by a
celebrity guest. Now, that's a good night out.
The show was put on by Sarah of RigBee Promotions and she
did well to get the mighty SuperEvolver to headline at this small venue. Last
time I saw them they were miles away and high up in the air on the soundstage
at Strawberry Fields. So, tonight was a chance to get to get a close up look
at them before they rocket off into hyperspace.
First on were The Duty, the present day
incarnation of Kalena. The quintet of well experienced musicians, lead by the
strong vocals and stage performance of Tom Kilsby, launched into a set of jubilant
songs, bouncing with engaging rhythms that stomped along. Melodic indie songs
that were upbeat and pleasing.
Stephen and the Heathens were, as usual, "shit
hot and ready to rock" and lived up to their slogan with an exciting set
that drew the crowd down to the front. Large sounds studded with rolling riffs
and loaded with plenty of attack, their gutsy performance soon had the room
on heat. A set of dazzling songs were presented by the trio, featuring some
cunning guitar work, atmospheric blusey ballads and kick-ass tunes. A commanding
band playing revved-up music.
Sarah told me "It was always going to be a good gig
but with SuperEvolver headlining and with our special guest arriving, it's
one of the best gigs of my life". She was referring to Kasabian's lead
singer Tom Meighan who had arrived to see the headline act. His presence added
a dash of fizz to the evening but when you are one of the biggest rock stars
in the country, everyone wants to talk to you and pissed up old music journalists
insist on taking a photo for their rock stars collection, so it can't be easy
being a giant fish in a small sea. A bit like the Pope dropping in for a mosh
at the local venue.
The evening got well rounded off when SuperEvolver got
on stage. Suddenly a small gig had turned into a major event. The four band
members picked up their instruments with the smoke rising around them (rather
like incense burning in a shrine) and it was time to worship. The crowd gathered
in front of the stage and the first chords rang out. Huge punchy beats start
to get people moving and Mab launches into his star quality vocals. At the
end of the first song, an excited cheer goes up.
This is the band that ticks all the boxes: a charismatic
lead singer with lashings of style, a set of great stomping rock songs and
tunes rich in exhilrating rhythms and riffs, scorchingly good instrumentals
and scintillating song writing. A band with an immediate appeal, they know
what rock music is all about and master expansive ballads with nerve-tingling
memorable block busting tunes that will be remembered for a long time.
This is a band that is rising fast and doing great things.
The toast of the local rockerati, they are ready to surf out of the local scene
on their way to national stardom. In the meantime their new charity single viva
la revolution featuring Tom Meighan will be available to download from
27th September on iTunes, Amazonmp3, MySpace, Spotify and so on.
You can see SuperEvolver on 23rd October at the O Bar.
It was a new one for The Donkey pub and The
Raghu Dixit Pproject, a South Indian band pulled that in a full
house and even Gaz Birtles, resident sound engineer stated it was "awesome"!
Local reggae cum Indian rock outfit Out of Karma opened the
night with a slow 'long road' before moving onto the more funkier
'shoot down'. Singer Jo has vocals that would be the envy of many
a reggae singer. Such was the support for one of the finest artistes, two encores
followed with 'dont waste my time' and the 'Indian song'
featuring a line in Indian vocals from 'yeh sama', a years old bollywood
hit. Drummer Malcolm and Phil Garret, sax and keys deserve praise.
"My voice is not on top form tonight"said Raghu Dixit fresh from an
afternoon gig in Birmingham and at London's Jazz Cafe, the night before, but
despite echoes of slight hoarseness he delivered. Opening with Hey Bhagvan!, barefoot
and clad in colourful sarongs, the band jumped up and down as did many in the
audience during their second song , 'Mysore Se Ayi', a best seller and
a love song devoted to his wife before waving seemlessly through many of their
hits also featuring songs from a sufi Saint from the album 'Raghu Dixit'.
My favourite of the night had to be 'I'm in Mumbai and
waiting for a miracle' with guitarist Vijay Joseph and Violinist Karthik
Iyer echoeing blues grass american folk rock and despite Raghu's hoarsey
voice on 'har sans me' the last song of the night was a welcome
sign of things to come, perhaps on our shores, next year as he got the whole
pub to sing to the chorus!
The SoundHouse has a growing reputation; the bands like playing
there, the prices at the bar are good and the sound from the stage is excellent.
There is a spacious outdoor area where you can chill without having to hang
around on the street and the staff are friendly and welcoming.
The best thing is that they you don't get overwhelmed with
overly long line ups. Tonight's four bands were all good but the standard half
hour sets had comfortable breaks in between. The live show was over by 11 p.m.
but there was still enough time to stick around and socialise with the fans
and band members.
The first band on was one that I don't think I have seen
before. Scarlet Soviets are from Leicester and the quartet
of band members play mainstream rock songs. Whilst the lyrics are instantly
forgettable, there were some interesting guitar riffs and whole ensemble came
together fairly well.
The lead vocalist Scott did the singing (not always in tune)
but the material was rather bland and the delivery decidedly flaccid.
Things warmed up when Tall Orders took to
the stage. They launched their set with a big bouncy number that grabbed people's
attention. Pete Shorrock put on his hallmark act at the mic stand with his
trade mark stripy skinny jeans. He unleashed a delightful set of funky songs
that had a good dose of panache. Paul Brewin scored a hit with his string playing
and the drums and bass pushed it along with a controlled energy.
Stylish and engaging songs delivered with razz won the audience
over. Lots of creative inventiveness at work here. They put in a couple of
covers including the 'Stones Paint it. Black to
which they added some of their own distinctive styling.
Their set included Mr Aluminium, a likeable and
engaging song with foot tapping rhythms. Highly enjoyable.
Indie band The Furies took to the stage
with a set of ballsy rock songs, lead by vocalist Alex Beattie. The crowd soon
got into the swing of things with the big vocals and rolling instrumentals
pumping up the atmosphere.
Vigorous and passionate tunes full of compelling dynamics
got a strong response from the audience. At the back was ace drummer Neal Hill,
brother of the lead singer from Skam#, who pushed the tempo along while the
rest of the quartet kept together with a razor sharp tightness. Fired up and
bursting with vitality they dished out a set of thumpingly good songs. Excellent!
The night was brought to a finale by the Pennyhangers.
Now I have to admit that I have long been a fan of the 'Hangers and have been
following their rise since they were a relatively unknown band playing micro-gigs
in pubs and cafes. But in my view they have written some of the most enjoyable
songs on the Leicester band scene. Now with nice new shiny bassist (Paddy -
gone but not forgotten!), they still do it for me, big time! I remember when
they went down to play at the Monto Water Rats and took the place by storm.
They have moved on a long way since their early days and have brought out a
new set of songs to keep them up to date. It's up beat, melodic indie laced
with some synthy stuff that is kept well integrated and they can power it up
well with Jonny Well's magnificent drumming and Jame's distinctive vocals.
It's great solid rock music, delivered by an ensemble of experts and always
enjoyable. Quality!
Sumo's a great venue, the sound is always good in the basement
and the atmosphere can be buzzing when they get a good crowd in.
First up, and bang on time, were local band, from Braunstone,
Leicester, Formal Warning. A young, five piece band, who have
recently played the regional finals of the Surface Unsigned competition.
The basement was packed, unusual for the first band of the night, but as the
gig progressed, I could see why. They had a good number of fans with them which
gave the band the confidence to play up to the crowd and put on an energetic
performance.
What an amazing stage show they put on - the three guitarists
making full use of the stage and constantly running around in the relatively
cramped conditions - it looked almost choreographed as they never collided
and seemed to know where each other were at all times. The music was also very
impressive, a very wide range of good, mostly fast paced indie songs with oodles
of energy. Ash, the lead singer, had a wide range and could sing very well,
which showed on the slower tracks. They played very catchy tunes making them
instantly likable.
What a fantastic set and very memorable, can't wait to see these guys again,
apparently they're about to spend a stint in the studio, I look forward to
hearing the end product.
Next up, The Furies - these guys played well, slightly slower
tempo than Formal Warning, and certainly not the stage presence, but the basic
ingredients were there - well written, guitary indie sounds with excessively
good vocals. These guys looked a little uncomfortable on stage, at times, but
the crowd was probably at it's lowest point in the evening, so that wouldn't
have helped.
The music, however, was good and their set consisted of a
diverse range of songs, one or two particularly showing off Alex's (vocals),
full range. He had a good amount of chat between songs keeping the crowd amused.
I liked the performance a lot, but feel they have more to offer with a bigger
crowd behind them, so I'm looking forward to seeing them again playing up to
a bigger audience.
Next up, Skam#, who, like the Furies, I hadn't seen before.
They blasted on the stage playing with a solid, heavy rock feel. There were
only three of them but they sang with real conviction and turned the night
into a proper rock gig. Boy, these guys put on an amazing show, very humerous
chat between songs, at times getting the crowd to sing daft lyrics. The kind
of thing you start singing along, going with the flow, then eventually you
realise what the words actually are and have a good laugh!
This lot are heaps of fun, Matthew's (bassist) antics made
me smile several times - from his penguin walk to the head-banging while turning
out some staggeringly powerful riffs. The very entertaining front man, Steve,
a teacher in the day time, apparently, came into the audience, played standing
on top of a table, while simultaneously putting in some amazing guitar sections.
Serious rock for serious rocksters, but they make you laugh, too, which shows
that it doesn't always have to be serious. Again, I'll definitely be seeing
this band as soon as I can - fantastic stage show and a really big sound
from three lads.
The last act of the night - Forgotten Sun - I've seen these
once before, also at Sumo, and I was extremely impressed, I remember really
enjoying the music and their distinctive sound. I remember thinking they sound
a bit like Nickleback.
Playing like they really meant it, the five piece from Leicester made an amazing
sound. Again with solid, heavy rock guitar sections with some mesmerising guitar
solos played well and hard. All the way through the set, the driving guitars
with driving vocals to match and big, full sound reminded me again of Nickleback.
This is the second time I've seen this band and, already, some of the guitar
solos made me go all tingly. They've been going round in my head days later.
I know I'm repeating myself here - but I love this band,
too, and can't wait to see them again at Sumo on the 2nd Oct with another one
of my favourites - The Black Tears.
What an amazing night it was. I had a fantastic time - I
didn't want to come out after a hard day and week at work, but I'm so glad
I made the effort. All really good bands with great music, I'm a fan of them
all now and all for a fiver on the door. Marvellous.
Thursday 2nd September, the Shed
Five quality bands took to the stage tonight for the Winner
Takes All grand final, organised by Silver Bullet Promotions, in a closely
contested competition that saw young Leicester band Aphtershock walk away with
the first prize.
Playing their best set yet, Aphtershock sang
an energetic set of their own songs, plus a few enjoyable covers. Big brassy
sounds were coming off the stage from the group of rapping, progressive nu-rock
teenagers who are developing strongly after a set of well attended, recent
gigs. The lads ended their set with their usual rendition of Killing in
the name of. I wish they had been at the Musician last week to see how Enranged did
this song. It would have taught them so much! With rolling guitar flourishes
and a bass line that won acclaim from other musicians, they put on a strong
performance for the good sized crowd.
No stranger to Leicester's stages, Nottingham Metallers Rise
Again put on another of their top notch performances. In one of
their wonderful sets of tightly played, excitingly staged music, the guys
stunned the crowd with sparkling displays of guitar work and frenetic drumming
techniques. Driven relentlessly by Phil's big stage performance and vocals,
with intense stringing from John and Jon, and the machine gun drumming of
Ollie, the band unleashed half an hour of supercharged music, brimming with
powerful hooks, sweeping passages and resoundingly big beats. Exhilarating
stuff that makes your hair stand on end (if you have any!).
Rising young five piece Panda Youth gave
us a listenable set of songs led by the energy and whiz vocals of CJ Pandit.
Oozing with potential, their sparkling set of original songs revved up the
room and beguiled the crowd with their inventiveness and developing stage craft.
One of our young bands that has all that is needed to get there.
Hopefully the young bands watched intently to see what they
could learn from Rise Again and our next band The Black Tears.
One of the best bands in the show, the nu-grunge and progressive hard rock
band features the glittering stage presence of lead vocalist Lischana Lane.
Backing her on the stage were Barney Such giving the drums a solid work out
and Rob Hanley doing dexterous things with the strings.
Sounding like a big band, their set of mesmerisingly bouncy
songs were as inspiring as they were ear-pleasing. A band that is clearly on
the up, they put on a resoundingly good set and a new EP is on the way, which
we very much look forward to hearing. A goodly dose of rock excellence.
Living Mystery out-classed the other young
bands tonight with a superb performance, better than any previously seen appearance.
Rivaling Aphershock and Panda Youth for attention, the pop rock quartet showed
us what they are really made of. Despite the end of night thinned out crowd,
the boys got up and gave a super performance. For a young band that was something
to be proud of. With strong vocals from Ryan Craddock, and the rest of the
band working together as a team, they pumped out choppy beats and crunching
riffs in one exciting performance which, even if it didn't win them enough
votes, won my admiration. A beltin' set.
Street kid and grime rapper Chezza played at SuperFly with his new band.
Did his trousers fall down or were they pushed? He began his set naked but a large chunk of the crowd packed into the front of stage were clearly most amused. Oozing bucket loads of attitude and sweat, the rapper's steamy set notched up the temperature in the room.
Now backed by three well experienced rock musicians, he pulled together his grime roots and his new rocky songs to wow the crowd with a performance that went down well with the kids celebrating their A level successes. A teenager's teenage star, he drew a throng of very happy students into the tiny room and a good time was had by all.
Chezza is on the lineup with EXAMPLE at the Auditorium on 15th October.
At an A Levels party what better band to put on than the Weekend Schemers. Soon to disappear into the studio for several weeks, this was the last chance to see the Schemers for a while, before they crash back on to the scene armed with some shiny new songs and an EP.
When the Schemers take to the stage you get more than just the music. You get the rapture of a band that gives out half an hour of fizzingly good performance. Their songs are sticky and they play like a revved-up engine, firing out power-hooks and crunching riffs, fuelled with Andy Cooper's resounding vocals.
These four guys are seriously clever. In a short space of time they have appeared out of nowhere and shot to the top of the young bands tree. There is an urgency pushing them on a firey determination to make it. Tonight they played with a passion.
Off-stage they are four regular teenagers who hang out on Facebook, cultivating their fan base, feeding the world with amusing but largely unintelligible quips but they are having it big time and on-stage they can set a room on fire.
Even though it was a wet and cold night outside, phalanxes of scantily clad girls queued outside to get in. They soon warmed up though in the steamingly hot floors of DJs who were pounding out great swathes of Dub and Drum and Bass beats.
The town centre was awash with teenagers heading towards SuperFly for the alcohol free night. It's interesting to see that A Level results have taken their place on the calendar alongside Halloween, Easter, Fresher's Week and New Year's eve as a golden opportunity for the industry to make some big bucks.
It was never like this in my young day! But wow what a time the kids are having now with acts like this to whip up a party.
It's not that unusual to go to a gig and hear three really good bands. They are all good but some are gooder than others. Well, it's a matter of opinion at the end of the day but after a while you get some idea of how to rank bands and you get a sense of some bands being outstanding, particularly if you have heard them several times and in different venues.
Tonight's gig is such a case. Three bands that were all good at what they do. First on stage was Edict of Bedlam, a local ambient, progressive metal band and lead vocalist Sheep Coltman did a top job of growling, roaring and screaming into the mic. This type of metal may be an acquired taste, just as not everyone likes curries, and this guy can also sing well too (in the more melodic bits.) The instruments were beautifully blended together and Richard Lane's drumming fitting well into the overall sound, rather than drowning out the guitars as can happening with some bands. The sound quality tonight was brilliant.
This band has a finely tuned sense of drama, spinning out songs that had dark and tingling ideas. Huge sounds and some ear-bleeding screams conjured up spine-chilling images and atmospherics. It was well executed because it didn't give you ear-ache; the band and the sound engineer delivered an experience that was of Wagnerian proportions but not deafening. I didn't need to put my ear plugs in because it was about quality not quantity.
They pumped out massive, muscular waves of sound laced with intricate guitar flourishes. The guitarists displayed some spell binding techniques and the six string bassist - Aaron Harbour - came in for some effusive plaudits from other musicians after the set.
Someone said they were like Alaskan band 36CrazyFists, so I looked them up on MySpace. All the bands members like SiKTH.
Metal nights are a man thing and the floor filled up with blokes. Yes there were some females in the venue and yes there are some who are fanatical metal heads. The guys listened attentively, motionless, like concert-goers. A room full of sweaty metallers does not however smell anything like the audience at a Hayden string quartet concert.
Crisis Confirmed came on next. Not quite at the same level as the previous band but their songs were creative, with some pleasing melodic passages and noteworthy instrumentals. Am not convinced the lead singer was up to scratch tonight; I thought I heard tuning issues. Nice big ballsy bass riffs highlighted the drama which they caught really well. In a previous review I rated them as "top notch", having seen them a few times now, I think I get differing impressions from their gigs.
Surrender the Coast are creating quite a buzz at the moment. The six musicians stood on the stage with clouds of smoke rising around them and in the glaring red washes, they cut an eerie image. They are booked to play at the Leicester O2 Academy in September and, this being so, will probably be the first local band to play there.
The six piece band put on a good stage performance and with two lead vocalists they exude large levels of energy. With vocal styles blending together screamo with more conventional melodic passages, they were able to weave together exciting layers of sound. Their second song had an explosive opening that led into some exhilarating guitar work. Like a power station discharging megawatts of electricity, their songs bristled with passion and vigour. Stunning guitar work, razor sharp breaks, thrilling on stage presence, all the band members gave it a one hundred percent commitment, all working together like a well oiled machine, which they kept up all the way through their set, they threw themselves into the music but was all tightly controlled.
Well after that performance I was momentarily worried that they had upstaged the mighty Silent Resistance. As they got into their first song however that fear evaporated. This is however where writing about rock become seriously difficult. It's a bit like an A level question: 'Silent Resistance versus Surrender the Coast - compare and contrast'. Or even just 'discuss', he writes, trying to let himself off his own hook.
Most bands come on stage and start playing. Ryan Tailor (lead vocalist) began by shouting "Weare Silent Resistance - come forward" and yes it did work. Ryan is more than just a vocalist - he's a performer and like all good performers, he needs a crowd. It was a set that worked magic; the room crackled with electricity. It's not a set that requires false modesty; it's a band that shouts from the roof-tops, a no-holds-barred performance. Off stage Ryan is a quiet, unassuming guy you wouldn't notice if you passed him in the street. On stage with his band, he is every inch the rock star. But then there have been several major rock artists who have fitted that mould.
He and the band threw themselves into the songs and gave it everything they had got. It's high-octane music that crashes into the room like a perfect storm. They also did that song with the clappy bits that their fans know exactly where to come in, but which I always get wrong so, I have given up trying.
Tight, thrilling music; hard rock that streaks across the room like lightening followed by thunder claps of sound. It's dramatically big stuff from a band that thinks big, both about their music and themselves. They are nu-metal. Ryan Tailor is not a massively fat guy covered in tattoos with long greasy hair. There was and maybe still is a place for guys like that.
But modern metal bands, especially in Leicester, have carved out their own niche and don't conform to stereotypical images. Besides, the S|R set isn't heavey/death/gothic/thrash but probably more like post-hardcore, characterised by tightly constructed rhythms, a combination of clean vocals with screams, balancing complex instrumentation with passages of pure melody. They describe themselves as rock/metal/alternative, but, hey, let's not get carried away with taxonomy.
The main thing is that S|R put on exhilarating music that brings people back to hear them again and they are on the way up. It's also good that Surrender the Coast are hot on their heels.
A full house marked the opening of Leicester's new live music venue, Sub91. What better way to launch a new venue and be sure to fill its maiden voyage with a capacity crowd, than putting on one of the country's top bands.
Their music was exhilarating and they were great fun on stage. Formed in 1976, they are credited with being the first punk rock band to release a single, an album and to get a place in the charts.
On stage were Dave Vanian, the one original member of the band, Captain Sensible on the guitar and drummer Rat Scabies.
The start of their set also featured an appearance by local character and superfan, Jonno. He is a well known man about town, often seen with his characteristic red beret.
The Damned were supported by Welsh band Clay Statues. This amazing Cardiff duo put on a set of crashing rock songs with a big dose of drum and bass influence that warmed the crowd up. They thanked the organisers for being the very first band to play at this new venue. Nice one!
The huge voice od Dorian Holmes (bass) boomed out over the crowd with backing vocals from drummer Dorian Adkins. Jason, Tantrum Records, said it much better than I can: "An almighty, sweaty explosion of dance, punk and gut wrenching passion, with more testosterone than a barrel of bull's bollocks". Now that guy could teach me a thing or two about writing!.
After what seemed like a long age, the five members of the Damned arrived on stage, to enthusiastic cheering from the crowd. The room has filled up and the crowd has moved down to the front. This was a definite gathering of the fans, with people coming in from all over the country (if not, Europe). A load of camera phones go up in the air. Captain Sensible was wearing a fetching sailor's outfit with a trade mark red beret.
The first song gets the crowd moving and they keep moving for the hour and a half set. Towards the end a mosh pit starts up and some really big bouncers are watching them intently.
Huge volumes of energy pour off the stage like a tsunami of sound. The fans jump up and down and everyone is having a hugely great time. The songs are more melodic rock than old school punk but the crowd love it. Big thumping tunes and massive beats from Rat Scabies on the skins and Monty Oxy Moron putting in some cool work from the twin keyboards.
The Damned are a charismatic band. Often associated with the Clash and the Sex Pistols, they have been a seminal influence on British punk for the past thirty years. Music aficionados rave about them. They put on a great show and are a lot of fun on stage.
Far from being a band that appeals to a niche following, I felt their songs were the kind of mainstream rock that a wide rage of people would enjoy. Indeed, the audience was a mixed bunch but everyone looked like they were having the time of their lives.
There were several people in the audience from local bands that would have loved to have been up on that stage tonight. Tony from top Leicester Punk band First Wave told us: "The Damned have been a great influence on our band. We have been following them for 30 years and have seen them play live several times. Singer Tony and drummer Stu had a great time down at the front, listening to the band that has been a big part of their musical lives.
Lead singer of Last Edition, Matt Williamson told us: "This is a great venue. It's so good that they are bringing these big legendary bands into town." Matt added that he hoped that some local bands would get to play support slots. Shaun Duignan said: "The damned get better with age and as for the new venue SUB91 in leicester ... fantastic, expect more big things from this venue including Zion Train, Funeral for a Friend and Sham69."
The Damned tourbus filling most of Granby Street, outside Sub91
Super Thursday and the venues of Leicester fill up with fans and bands for a feeding frenzy of rock and live music. Artsin reporters were out to cover as much as they could of this amazing festival - the Summer Sundae Fringe.
The Musician
Kevin Gaughan reports
The Fringe Festival is a great idea. It allows people to preview the Summer Sundae festival bands at various venues around town, performing warm-up gigs. A fiver is all it costs and for that you get entry to all the venues, transport between venues on an open-top double-decker and one helluva night!
It was only early, but, party thanks to the bus, the Musician was buzzing. The James Lewis Band (JLB) had the unenviable task of performing first. But with his natural stage presence and trademark hat, the crowd were instantly fixed by him.
JLB consists of James Lewis on vocals and guitar, Sean Taft on bass and Tom Croft on drums and have a unique style of music. I would say it is acoustic but quite often having a folk feel about it. The music is very well written with memorable and catchy guitar sections that you just can’t help tapping your feet to, or in my case, breaking into a gentle swaying action!
The songs were performed with confidence and James himself is a natural performer who conveys real emotion when he’s on the stage. Very entertaining and good to watch. James has a wonderful voice which he makes good use of, although, maybe not particularly stretched with the set of songs he performed tonight. They provided a very nice start to the evening and were very much appreciated by the crowd. I’ll definitely be seeing them again.
Time for a beer, then Charlie and the Martyrs up next. The Musician was starting to fill up by this point. Charlie and the Martyrs are a five piece consisting of Charlie Jones on vocals and guitar, Micheal Angrave, lead guitar, Gray Crewe on rhythm guitar, Will Bennett on Bass and Dan Bent on drums.
They compliment the James Lewis band well as they play a similar style of music, although, being a five-piece they do have a bigger sound and Charlie Jones add a touch of glamour. They started with an up-tempo track, which caught everyone's attention straight away. The very smartly dressed musicians have a striking appearance that makes them entertaining to watch as it’s not every day you see four men in suites and ties and a lady in a cocktail dress playing in a rock band!
They have a unique sound, slightly country at times but Charlie’s voice is amazing, slightly gravelly, but an absolute asset to the band. Every note was performed perfectly and the musicians seemed really tight. The performance went down very well with the crowd and things started to really warm up half way through the set as quite a few people started to dance and were clearly having a great time.
A real party atmosphere developed and it was nice to see the rather large crowd getting into the music. My personal favourite, Devil May Dare, is a slower, more acoustic track which really shows off Charlie’s flexible voice very well. All in all, a very enjoyable performance very well and professionally executed which was a joy to watch and listen to.
Hot on the heels of Charlie and the Martyrs came the Lysergic Suite. At this point the Musician completely filled up - it was packed. Interestingly enough, a large number of photographers came in and took position at the front of the crowd generally getting in the way to start off with their exceedingly long zoom lenses [one of them was from Arts in Leicestershire.]
I hadn’t heard of this band before, as a result, I thought I was probably the odd one out, but then that's not unusual for me! I started to think this was something I need to know about, get into, and be all over.
The Lysergic Suite are a three piece from Leicester with Gren Spencer on Vocals, guitar and bass guitar, Adem Custic on drums and percussion and Liam Houchen on bass guitar, guitar and vocals. Their forthcoming CD also features Tom Meighan from Kasabian.
Gren, on vocals reminded me of Liam Galagher with his mannerisms as he swaggered onto the stage. With the first note, the Musician exploded into a rock frenzy, the soaring guitar riffs blasting you onto the next level of musical ecstasy. I could see what all the fuss was about. The atmosphere was electric.
Gren did sound like Liam Galagher, too, which was no bad thing. Even though there were only three of them they performed and sounded like a truly professional, famous band. The songs were incredibly well crafted with soaring, hard core guitar riffs all over the place. They sounded a bit like Oasis but with the rock level turned up to 11!
Without a doubt, they can be big, really big, so it was one of those gigs where I felt privileged to have seen them on a small stage. With the right breaks, they won't be there on small stages for long. I’ll definitely be watching out for this one.
Last on were The Pennyhangers who are a four-piece band from Leicester. I didn’t envy them as it would be very difficult for anyone to follow the Lysergic Suite, especially as all the photographers and half the crowd disappeared as soon as the Lysergic Suite had finished their act.
The Pennyhangers didn’t have quite the same urgency and pace behind them as the Lysergic Suite did, but they did play confidently and I enjoyed their melodic indie rock with a Synthesiser for a more electronic feel. Their music was well-crafted rock with melodic guitar sections. The vocals for me didn’t really stand out tonight, but they were good. I’d really like to see the Pennyhangers again, but definitely NOT following the Lysergic Suite!
All in all, a wonderful night with some really good bands, but I felt as though I had seen something rather special with the Lysergic Suite.
A strong line up of top bands took to the stage of the Shed for a night of great music at a sell out gig.
The Boobytraps
This well known and popular band have a set of highly likeable original songs. Their time on stage brought us an ear pleasing half hour of catchy riffs and memorable melodies. They played first - unusual! They often headline shows. With their compelling rhythms and strong lead vocals from front man Jamie Williams, backed by some sparkling guitar work from Scott Laywood, the Boobytraps launched the night in fine style.
As a band they have brought us some of the best songs of any of our local groups. Stomping, clappy, rock songs, full of vigour and immediacy, they put the rock into rock 'n roll. Ranging from fast belting' numbers through to the emotional, arm swaying ballad Tell your friends (it's true), their set never tires. Offering music for all ages, their appeal is based on being able to write big solid numbers that everyone can enjoy. It's the kind of music that stays in your head on the way home. A fine set of musicians and singers with a great set of songs.
Somehow I have managed to miss this well known trio up to now, although I have seen their name popping up all the over place. Hopefully Ill see them again at the Strawberry Fields festival, later this month. Their alternative, rock, electro set pumped out some exciting hard edged songs, strongly delivered by 'Mab' with tightly packed bass and drum parts by Tom and Jimi. Big, bold and infectious sounds soon got the crowd moving down to the front. SuperEvolver have already made a name for themselves and seem to be really going places. Even Tom Meighan likes them. They brought the crowd a set of electrifying and creative songs and backed with captivating vocals. Easy to see why they are building up an enthusiastic follow.
I have been following this band since before they burst on to the national scene as the Displacements. Now with an entirely new set of sounds and a new band member, they are set for a renaissance. It was also great to see them back on the stage of the Shed after a very long absence. Someone told me the Displacements were "sweet"; the new band, however, is rad. They have pupated into something even more exciting. The first chords of their big, dramatic opening introduce Andy's vocals and backings from Nick. Andy sings and does some work on the synth as the song builds up which bursts into a massive, dancy tune. The rhythms are compulsive and the packed crowd starts moving to the beats.
The four band members look like they are really enjoying what they are doing and getting that vibe coming back from the floor. Sets of thrilling riffs pour out from the stage and people are dancing along. Andy has grown into a serious rock star, after all that touring with the Enemy and stadium gigs, he now commands the stage and has a presence. Fields of arms are waving in the air from the throng in front of the stage.
Song 3 brings us a big iconic sound with exhilarating landscapes of sound. It's a song of symphonic proportions, heaver and harder than anything I have heard from them before. The three singers are adding a vibrant vocal layer to the backing. It's powerful stuff, laced with sparkling guitar lines.
Andy abandons his guitar and becomes a free standing singer. Now he's really showing off his star quality, pouring lashings of passion and energy into the singing with his distinctive voice. Nick's backing vocals are beautifully blended too.
The crowd clearly felt the magic and a big pack of them start to jump to the exciting beats. It's about having several fingers firmly on the pulse of what fans want and being able to give it to them, big time. Lots of very happy faces can be seen in the audience and their reaction is spontaneous as hands go up in the air, clapping and waving as the song moves them.
It's true that the Screening have been around for a long time. It's true that they have always had a big following in Leicester. It's also true that they have never stood still. They are playing songs now that are radically different to the stuff I remember when I first heard them. Again, it was really good to see this band back at the Shed after a long absence. Shed owner Kevin told us: "A lot of these bands started out here when they were young. So it's nice to see them back here, now they have made it."
It's always a good sign when you see musicians of other Leicester bands in the audience and tonight was ace for celebrity spotting. The Screening started the first song of their set with a gloriously commanding intro.Tom Nurse came in with his big vocals and the song fairly rocketed into the room. High guitar riffs soared over the backing and the drummer fired out salvos of machine gun beats from the skins.
Loud cheers erupted from the crowd at the end of the first song. These guys know how to write hit songs: Diem stands out for me as one of the best to come from a Leicester band. In the intimate space of the Shed, it's great to be close to a big band and the intensity of the crowd's excitement burns into you. The Screening launched into their hit song and a mosh pit of dancing fans started to live the music. It's a magical song that easily sets a crowd alight.
Ten green bottles has been re-worked with a rockier edge and harder sound and now does more for me than the original version (which certain of my band mates never really liked.) So, it was thrilling that this song demonstrates what the Screening can do and how they have moved on from the indie era into modern idioms.
It was a triumphant set and as I said to them afterwards: "the best set I have heard from the Screening, ever", which caused a rather quizzical expression in response.
Artsin didn't have enough people to cover all that was going on in Leicester tonight, but the lineup at the Firebug also featured some really top bands, like Kids in Cars and These Furrows, which we sorely missed. But we did catch up with Autohype after the gig and had a word with lead singer Seb.
Artsin: I'm here with Autohype at the Firebug and I'm talking to Seb. So, how did it go tonight?
Seb: It was phenomenal. We were really pleased. We played really well.
Artsin: Well you always do that but what was really good about tonight?
Seb: I'll tell you what ... when we play in Leicester, we normally play to, like 15 year olds. This is great but tonight was a chance to to showcase ourselves to an 18+ audience. They responded really well. It's always nerve racking, playing to new people. Our songs are really good for young and old so I was really pleased with that.
Artsin: So, a really good night at the Summer Sundae Fringe?
Seb: Yes and we are playing on the main stage of the Summer Sundae Festival on Saturday.
The Shed filled up with young fans to celebrate the Weekend Schemers' single launch. It was a beltin' night.
First up was White Fix. Have seen them several times before. Their strong lead vocalist makes them stand out, as well as their beltin rocky sound. They got the show off to a banging start. Lots of thumping beats got the crowd moving. Sharp breaks and sparkling guitar work added to the impact.
Indie is by no means dead; The Dobsons are keeping it alive. When Leicester was the indie capital of the Midlands, the Dobsons were riding high. A phallanx of fans followed them and venues were eager to put them on stage.The classy vocals of Callum Breen give them an edge over many similar bands. They know how to put together compulsive, foot tapping rhythms and cool melodic lines. They know where they want to be and have stuck with their Maccabees, Bloc Party, Libertines roots, not following the growing trend of one-time indie stars into the world of hardcore. Not a band with a lot of performance presence though. Callum spent too much time singing to a piece of carpet at the back of the stage. A set with a lot of verve and engaging beats, they clearly excited the pack at the front. A band with a lot of style but maybe a little lacking in substance.
The crowd surged to the front for the Weekend Schemer's headline slot. Their single release Too Little Too Late got a DJ airing just before they went on stage. Novel! The single forms part of the EP they are working on which they hope to finish before their Scottish tour later this month. The band walked on stage and picked up their instruments. Andy Cooper began the set with an unaccompanied solo intro until the band picked up the song and lauched into a big stomping number. A forrest of hands went up to mark the shouty bits and a solid posse of girls in front of the stage started to dance.
They launched with one of their classic numbers (10 More Steps) - sadly no longer on line - a song laden with bold, brassy phrases and a gripping chorus, laced with flashy guitar parts from Conor Evans. Here is a band that ticks all the boxes - firmly memorable songs and three good singers at the front. A band that can play and sing and with headline presence.
As the set hots up, the boys start moshing, colliding with the girly throng at the front. The excitement builds up and the crowd bursts into spontaneous clapping as they feel the beats pumping off the stage.
The Schemers have developed a richer, harder sound than when they started. Their songs now have a rockier edge and now have a magic that is propelling them forward. Large thumping beats underscore the tuneful melodic lines. Vibrant instrumental breaks lead into the vocals and the sound is harder and more edgy than their earlier work.
There are constant camera flashings as they play and a gaggle of serious industry reps are studying them with studious expressions. The three string players give it all they have got and by song four, our photographer is struggling through the mosh pit to get that one elusive snap. When song four starts a great cheer erupts from the crowd as soon as they hear the first bars of the song they love so much - one of the band's established covers Mr. Brightside.
Andy gives song 5 - the second of two covers (All These Things I've Done by the Killers) a big intro, setting up the mood before the band jumps in with a set of brassy, clashing chords. You can just see Andy's face over the forest of waving arms, as he pours a load of energy into the song. Now the crowd is jumping up and down, festival style, to The Killers song. Everyone is chanting the chorus and all three vocalists are yelling it out at the top of their voices. It whips the crowd into a frenzy as all three front men are singing into their mics. It's a moment of pure magic.The Schemer's have got live music figured out. They know what the fans want and they give it to them, big time. Their set is a full on experience, both on stage and in the room.
Clappy passages, cheering choruses, electrifying guitar parts, three part vocal harmonies, it's all there. The songs sizzle with passion and pulsating rhythms. The crowd is chanting "Scheeemers" over and over. Their last song was dazzling. Massive vocal phrases articulated by Andy and Doyle, while Harry sits at the back, labouring over the skins with a calm but olympic effort, as the room fills with auditory fireworks.
They finish their set with the new single Little Too Late. A modest guitar intro breaks into a moshing instrumental passage before Andy comes in with the vocals. It's another classic blockbuster from a band that has turned out a series of hit quality tracks. It's full of catchy riffs, sparkling guitar works and easy lyrical lines. It's a new song so the fans had not yet learnt it but I can see them all singing along to it as soon as they do.
If 2009 was the year of the Heroes, 2010 is likely to go down as the year of the Schemers. In a city rich with top notch bands, they are carving out a place for themslves before setting off to conquer the world. It's what makes band life interesting.
Kevin Gaughan reports with additional material by Trevor Locke.
It was early doors at the Shed on a school night (Wed) but the place was positively buzzing - which was great to see. The first band of the night, Tom Gee, were there due to some freak bookings misunderstanding but were still getting a lot of attention and appreciation from the Leicester crowd. As Tom Gee had come all the way from Leeds, it was nice to see them making such an impression.
The three lads played acoustically with a distinctly Mediterranean feel with plenty of percussion and good use of their box drum, percussion and bongos. The tempo was upbeat and quite lively. I really liked the band, although they were quite different from the rest of the evening's entertainment, they provided a very nice relaxing introduction to the night. Although they ended up playing by accident, it was a great way to start the gig. The vocals were very good and proved to be quite flexible.
Next up were Free or Nearest Offer, a four piece from Nuneaton, with a female vocalist. My first impressions weren't great - they looked like they would be more at home playing background music in a pub. They played a number of covers to start off with, the female singer looking a bit uncomfortable and rather static.
Each song was introduced by the lead guitarist which I think seemed to emphasise her lack of confidence. However, when they played their own tracks, they sounded much better although still not totally relaxed. Their sound was quite funky with with the odd rock riff thrown in to the mix, the lead guitarist was a credit to the band. He seemed quite skilled and made a good job of the more complicated pieces.
Next up, Panda Youth. I was looking forward to seeing this band, as I had seen them before and was quite impressed and I know they have been written about quite a lot in these pages. They started off with a cover of a Red Hot Chilli Pepper's track. It was OK but didn't really hit the spot for me, CJ's vocals, I thought, weren't quite up to the mark. I love the original, perhaps that's why I wasn't too keen on this cover. Sometimes it hits home, when you see these young bands, how close to the wire they are financially. The guitarist lost his pick and had some of the rest of the band looking for it for a minute or so. I couldn't help but laugh and also felt sorry for him in a way. Tonight the band played with guest drummer, Jake Sterland.
A few songs in and they started to warm up and I was reminded why I liked them. They played a good mix of up-tempo, catchy songs with really memorable guitar riffs and plenty of energy mixed in with some slower numbers which really showed the maturity of this young band.
They did put in a good show with tons of energy and a few catchy riffs, but tonights performance wasn't as good as the last time I'd seen the band. They introduced a female guest singer [Lottie Holnes] to the stage later on in the set which added a alternative sound and was quite welcome, she put in quite a good performance and had reasonable confidence and stage presence but again made me think that perhaps the vocals were a bit too loud in the mix.
The crowd appreciated the Panda Youth set and especially the guest singer. Hot on the heels of Panda Youth were Broken Eyes. They started off in a very lively fashion and played a very good cover of GreenDay's classic, Basket Case, which really got the crowd rocking. The sound was very good, the guitars and the drums were especially well played, tight and enthusiastic with plenty of stage presence. The vocals were generally good, although the female singer looked a bit uncomfortable at times. She appeared to forget the words at one point, which even I picked up on.
All in all, a good selection of songs, their own ones sounded good with plenty of heavy guitar sections but the vocals, on the other hand, could be improved. Oh, and the guitarist, who has an interesting taste in tutus, made a very pleasing, rocky sound and provided an entertaining visual aspect to the band. Broken eyes - a name I'll be looking out for in the future.
The Black Tears were next. They burst onto the stage with their and incredibly powerful songs - playing faster than the speed of sound, they really set the Shed on fire. Very fast, very rocky and very good. The crowd were totally enthralled and, although thinning out slightly as it was getting late, they were thoroughly enjoying themselves, as was I.
The vocals were staggering and soared through the guitars with plenty of passion, it's as if the sound had been set up only for this band tonight. They did slow down a touch occasionally, but only to that of a speeding bullet, before going supersonic again. This band really did it for me, very good rock riffs, played well and at full throttle with vocals to match. It was nice to hear a good female vocalist performing so well with no confidence problems. I NEED to see this band again. They were good, very good.
The night ended with a superb performance by Leeds band Nigel Passey. This lovely four piece band played a set of gorgeous music. Captivating, smooth songs laced with ear pleasing riffs and carried forward by the quality singing of leader Nigel Passey, their vibrant set was funky, rocky and very enjoyable. Spell binding and splendid!
This was a Winner Takes All competition night, won by Panda Youth (53 votes), with The Black tears coming second (47 votes) and Broken Eyes in third place (29 votes) The staff of the Shed counted the votes. A very big thank you to the Bands from Leeds for helping out with the loan of equipment, given they had come a long way to attend a night they weren't offically booked to play.
Whilst the Mow is not the destination of choice for live music fans generally, there have been some incredibly good acts playing there and tonight was surprisingly awesome. All the acts were top notch and the night was a crackin good night of music.
The evening started with Derby singer Daniel Angelus. A solo singer who accompanies himself on the keyboard with backing tracks and samples, this one man band put on a seriously good set of fine, indie, electro, new wave songs. Singing with a rich, clear voice, Daniel gave us a highly listenable set of his contemporary songs, full of rich harmonies, colours and punchy rhythms. Vribrant and engaging, sung with skill and passion, this talented artist provided us with a really enjoyable and upbeat set. Scintillating!
Next on was Leicester singer Gemma Lakin, an impressive vocal artist, she put on a beautiful set, and wow what a great voice. A Leicester singer, she was tuneful and her set of acoustic indie songs were counterpoised with some very engaging, bouncy numbers that really went down well with the audience. Her voice had a lot of character and her guitar accompanyment was vibrant and altogether it was a thoroughly enjoyable set from a very fine singer. Songs with mood, poetry and passion. A fine singer and a great performer.
I have already reviewed Depth on our discovery page. This stunning post-hardcore band from Norfolk were magic. I so hope they come back to Leicester soon.
The night was headlined by tribute band MaetLoaf. Not just a MeatLoaf covers band, this was a great rock n roll band in its own right. They played a scorchingly good set of songs from the famous singer but what they did was put on a set of top quality music that got the whole room dancing and joining in with the show. From Wolvhampton way, theese guys came over with a large amount of equipment including their own PA and sound system, which they let all the other artists use. Nows that's showbiz. Two great lead singers, Craig and Melissa, they really did put on a rockin' set of crackin' songs. A band with a big sound, they captured the spirit of MeatLoaf and gave everyone present a throughly good set of rock. Greatly enjoyable, let's hope we will see them on a festival stage in Leicester/shire soon.
Monday 19th July, The Shed
Singer Charlee Drew has now formed a band and tonight's gig was the UK launch of his single "SugarRush" and his tour to promote it.
The gig warmed up with a set from the fabulous Formal Warning. A substantial crowd had gathered for this show and soon were dancing to the floor filling songs of FW, who, as always, put on a great set, fizzing with performance and their memorable songs. Their big, bold, dancy songs of today indicate that this is a band that has moved on from where they started. It's the same act though, with lashings of vitality and star quality fronting from lead singer Ash.
Having set the audience alight, it was time for Charlee Drew to take to the Stage. Now with a top quality lineup of musicians behind him, the Leicester singer stood behind his electric piano and launched into a big, upbeat opening number with a captivating melody. His songs have a sparkle which he delivers with his finely sculpted voice and lashings of passion. His new work is stronger and rockier that his early solo sets and the audience clearly loved it, judging from the rapturous applause that followed.
Charlee's second song of the night - "Everything" - was a slower ballad, dripping with delicious melodic content. He is a star performer on stage, living the songs and clearly totally engaged in his music. His crystal clear voice articulates very word and the rhythms are catchy and engaging, an unmistakable Drew sound.
Drew has taken a long time to work on his material, especially since his departure from FreeFall Felix and launch of his solo career in January 2008. It's an investment of work that has paid off, because he has now written a set that he is confident will conquer the world. If tonight is anything to go by, he's likely to succeed.
Scream is the brand name for a new set of nights in Leicester, organised by promoters Origin Music and they put on a night at the Musician and have plans to put on some big bands at bigger venues later in the year.
Scream is the a new event and from September it will be a monthly under 18s club night held at the 1000 capacity venue, the Auditorium. and they'll be bringing down some big chart topper, like Example, in October (details on our gigs listings.)
Tonight was a success and featured some up and coming local bands, one well established touring band and one of the best hard rock bands in the Midlands.
First on stage was new Leicester band Surrender The Coast. The six piece hard rock, screamo band had two vocalists and a pack of ear crunching sounds. They have an EP out which can be obtained from the band and a couple of tracks up on their MySpace. Lots of energy and grit backed by a tsunami of drums and guitars.
Without Fire are a five piece group from Leicester and Lincoln and most of the musicians have been in other bands, including Freefall Felix. Big hardcore sounds with lots of machine gun drumming and a vocalist whose voice was strong enough to carry over the voluminous backing. Angry punk-edged, growling songs and a virile stage presence they kept the gig moving, this was their first appearance at the musician and they went down well with the audience.
The hot summer evening saw a good crowd turn out for the show and Speaking in Italics also went down well with them. After a commanding opening, their first song launched into an expansive tune, strung with vibrating bass lines. Vocalist Kyle Brooks quickened the pace backed by staccato spikes from drummer Mitch Goodwin. Vibrant melodic lines were carried along well, supporting the complex rhythms and song dynamics. Akin to prog rock in style, the songs conveyed a darkly coloured moods and sultry atmospheres, spiked with angular riffs. Musically complex but delivered with passion.
No strangers to Leicester, North London electro-pop-punkers Exit Avenue always draw a following when they play here. Exciting songs, performed with lashings of character and presence by lead vocalist Neil, are what you get from this top notch band. They got the crowd moshing, jumping and clapping. They turn a set into a show and concert into a party. It is a testimony to their popularity that a chunk of the crowd joined in with their songs, like the iconic "sweet sixteen".
Arms of Atlas lead singer Tyler at the Musician
Even though Exit Avenue are a high caliber band that always goes down well when they come here to play, they were sandwiched between the post-harcore, metally first part of the evening and the colossal headline act of Arms of Atlas. The somewhat odd programming almost worked because the pop-rock dance set got everyone on the floor and excited, so the ambience was set for AOA. Sadly quite a few of the fans who came in for the first part of evening, were seen drifting off because they were only there for the bands they wanted to see.
I have seen AOA before and reviewed them for Artsin. They stand out from most other bands in their genre. Their performance tonight was pure exhilaration. They play heavy hard rock music which is loud, loaded with the most compulsive beats imaginable and delivered by musicians with rock star quality. Tyler's vocals are stunning. Ed and Jim's guitar work and backing vocals add a scintillating layer of sound to the songs, ably backed by Sam's bassing and Mike's drumming. And they ALL sing. Not just a front man and a bit of backing vocals from one guitarist. This is complete teamwork.
AOA do not tick all the boxes - they write the boxes. This is one of the most exciting and thrilling bands I have seen, not just in Leicester, but anywhere in the UK. Members were drawn from the ashes of
FreeFallFelix, Sixpointfive and Centauri, so it's little wonder that is a group of some of the most talented musicians around here.
Their set pushed the limits of rock music to where
you wanted it to go. The crowd was totally drawn into the music, moshing
and jumping and arm waving and if you like your rock to be hard, loud
and totally exhilarating, this is the best band you will find. Magic.
Pure magic!
Silver Bullet put on another heat of the current Winner Takes All competition. On the line-up were Broken Eyes (in first place with 31 votes), Free or Nearest Offer (in second place with 20 votes), Wicked-messengers (in third place with 19 votes). Aphtershock also played.
Wednesday 7th July, The Shed
Silver Bullet's Winner Takes All competition was won by Panda Youth with 102 votes. UP came second with 45 votes and Azidify came third with 26 votes. Votes counted by staff from the Shed and included first and second votes cast by the audience.
A good crowd turned up at the Shed on a Wednesday night to support the lineup of local bands and a touring band from London. Now that's worth mentioning!
Young Leicester metallers Famous Last Words (previously known as Dead Union) opened the show. Their set of punky, grungy, metally songs included a couple of covers and went down well with the ample crowd. They had one or two technical issues but got on with it and clearly enjoyed being on stage playing to a packed house.
They bashed out some gripping sounds with a nice raw edge and at least three of the string players contributed to the vigorous vocals. Very good! They gave their performance a whack of wellie and ended with RATM's "Killing in the name of", a piece that has been popular with bands since Christmas.
The pace quickened when Leicester hard rockers Azidify took to the stage. Their own song Stop Praying (stop saying) is particularly tasty, with its iconic riffs and big statements. This young band has a good track record of small gigs behind it and taht shows in their confident playing and mad hatter antics on stage.
Our reviewer Kevin Gaughan writes:
It was a busy night in the Shed, each of the 5 bands had bought a few fans and Azidify had bought more than most which was nice to see. I'm not surprised they have such a loyal fan base as they are such a nice bunch of lads. Every time they see me at one of their gigs they always give me a warm welcome and enjoy telling me about their songs. I've known the band for a couple of years now and they always provide great entertainment.
As they were warming up, James burst into some Jimi Hendrix style riffs on his guitar which reminded me how much I enjoy hearing them warm up. Into the first song, it was very well performed but, as with their other songs, I kept wishing they'd got that new singer on board they keep telling me about. James is great with his guitar as are Dom and Chris, but I think they seem to fall apart a bit when James starts to sing. Always the showman, it didn't take long before James was break-dancing while playing his guitar-luckily there was a break in the vocals while he was doing it! Always very entertaining to watch.
They played one new song in which I enjoyed the melodies and the guitars worked well together. Carlton on his drums did a great job and I really enjoyed the track, it was quite grungie which was ok, but again James on vocals just doesn't work for me. All in all they did an entertaining set and I enjoyed most of the songs, always good to watch, but come on, lads, please get a singer, male, female or otherwise, just get a singer, so that Jim can focus on what he's good at. The crowd enjoyed the show and Azidify have all the makings of a good band, they can play very well considering their tender age.
The band called UP playing at the Shed
Touring band UP dropped into the Shed on their way back to their home town of London. Most of the band members used to be in Minus IQ, a really good band that I saw play in at the Fly in London and then they played at the Shed (10th August 2009). Now with a new lead singer and a new set of songs UP is every bit as good as Minus IQ was. Their set of engaging indie songs was produced with considerable vitality and was lapped up by the crowd, most of whom had come to support their local bands. They recognised a good band when they heard one and responded warmly.
Their set was full of bouncy and captivating melodies laced with catchy phrases and a large helping of mood and atmosphere. They had very good taste in modern music. A contemporary style of music presented with considerable stage presence by their lead singer Barnaby Race. Strong backing vocals from Michael Lane on lead guitar and stomping work from drummer Jake Schogger together with lots of sparky energy from all the band, made them a hit with the crowd and the other band members in the audience. It was gratifying to see an out of town band play to a Shed load of people who were clearly enjoying what they were hearing. Star quality.
Having reviewed Panda Youth recently I wont say too much more, other than they won the night's competition, picking up more votes than they had people who came down just to see them. It's surprising that they played Sumo on Monday and the Shed on Wednesday and still managed to pull out their following. A popular band with an appealing set of songs and a good presence from lead vocalist CJ Pandit makes them a band that people do want to turn out to hear. A really friendly bunch of lads too!
Crisis Confirmed at the Shed
The Night drew to a climactic close with Crisis Confirmed. I saw them play at the SoundHouse last Saturday but their performance tonight was miles better. They really rocked it tonight and it was hugely good stuff. The hardcore metallers pumped out walls of massively big sounds, sparking riffs and lots of nu rock phrases and passages. Pounding drum rolls from Jake, exhilarating vocals from Mike and lots of dynamism from the whole team. Drama, atmosphere and electricity, spine chilling passages and hair raising statements ... top notch!
Saturday 3rd July, 2010 The Looking Glass, Braunstone Gate
By Kevin Gaughan
I've seen a few bands in the basement of the Looking Glass. It isn't a big venue and it is often hard to get the sound right but the atmosphere can be quite intimate. Also, I've noticed, that sometimes the audience talk over the band, which is probably because the bar downstairs gets the overspill from upstairs.
This is the second time I'd seen a full Ashdowne gig - the first one was acoustic (see our gig notes page) - so I thought it would be interesting to see the contrast.
There was a decent sized crowd, which was nice to see, some of which looked like dedicated Ashdowne fans.
They started their set with the same song that they start the album - Footsteps - the moment the first note was played, the crowd were put under the Ashdowne spell.
No-one spoke and everyones' full attention was on the band. It's not my favourite song, but in common with the others it provides a fantastic workout for Lee's vocal gymnastics.
Lee of Ashdowe playing at the looking glass
Between each song, after the applause you could hear a pin drop as the crowd were completely focussed on the performance.
I certainly enjoyed the rockier side of Ashdowne as Andy played some amazing guitar with Pink Floyd-ish effects. Gripper, as always, timed to millisecond precision on the drums and Ben tied the whole sound together with his bass.
All the musicians had a chance to really shine thanks to the carefully crafted set list.
Half way through, they lightened the mood with a couple of really good dance tracks, including the Girls Aloud cover - Can't Speak French. These got the crowd on their feet and gave the gig a real party atmosphere.
By this time a number of people had joined us from upstairs, not because of the overspill from the bar, but to have a dance and to see the band that was playing the music they were enjoying upstairs.
Time and time again, people kept saying how it was like seeing a big band on a small stage. I put this down to the sheer tightness and professionalism they all exhibit as well as the songs being so well put together. Gripper's Ashdowne drumkit also looks quite spectacular.
At the end of their set they put their instruments down, got a pint and mingled with the crowd.
For me, what was special about this gig was Lee's voice, the emotion and skill with which they all played, and the catchy melodies that were going round in my head days later.
As with the acoustic set, I found myself totally absorbed with what was going on on the stage.
These guys have got it all-the catchy songs, the skill to play them extremely well live, the stage presence and sex appeal (not my words!). They look and sound like a big band so it wont be long before they're supporting a really big band in Leicester's new 1500 seater O2 Academy when it opens.
I very much look forward to seeing them again this weekend-thanks very much lads for a great night!
Just three bands played at the Shed but three amazingly good bands are better than 5 or 6, most of which are mediochre. Tonight, we were given a treat, The Black Tears and their melodic pop rock sandwiched between two wonderful metal bands.
Jericho got the night off to a thunderous start. These brave brummy boys nearly brought the walls of the Shed down but their pumping volumes of intense and agressive sound were skillfully laced with some fizzing riffs and sparkling passages of guitar work. With kalashnikov drumming and magnificent vocals, the songs were raw and pounding but artful and tightly executed. This is a band that has presence, a band with a distinctive identity. Thrilling and compelling.
Rise again
So, the metal sandwich was headlined by Rise Again from Nottingham. The strong vocals of
Phil Kurtenbach were backed by three solidly good string players and an ace drummer. Their delicious cocktail of metal edged with classic sounds and a dash of punk is probably what you would expect from a band whose influences include
Metallica, Guns 'n' Roses, Iron Maiden, Motorhead, 3 Doors Down and Foo Fighters. Their set of vibrant, high octane songs were very ably delivered on stage. Great rolling waves of music and fiendishly clever guitar playing had most of the audience air guitaring. Highly enjoyable.
The Black Tears playing at the Shed
Sandwiched between these monsters of rock we had the sweetly refreshing sound of The Black Tears. With their glamorous lead singer (
Lischana Lane) this Nuneaton quartet is set for great things. A fairly new band, they have wowed audiences in Leicester and at the Glastonbudget Festival. Their set of bouncy, indie tunes has an edge which gives them a bit more bite than most in that flavour of rock and they are a visually appealing group. The two girls and two lads make them stand out from the rest and with a bit more work on the creative side, I can see them really going places. Their sweeping melodic songs are punctuated with some firey bursts but they need a couple of floor fillers to get them up the ladder. A band with a lot of promise.
The Winner Takes All competition was won by Rise Again with 46 votes. The Black Tears were second with 41 votes and in third place was Jericho with 23 votes (votes counted by Shed staff.)
Friday 26th June, the Y
A hot summers evening and the fans gather at the Y for an evening of live music. The Y is a nice theatre and an unusual setting for rock bands but one which bands and their followers enjoy. It is a pleasent change from the other venues and gives them the chance to feel like they are making it into the big time.
The theatre stage, the production lighting, the clean and relaxing environment, it all adds up to something different.The girls dress up for the occasion and everyone is excited as they stream into the auditorium.
It's a meeting of friends, both fans and musicians, a high point on their social calendar. First on to the stage is a young band called Six Lost Souls, brought on to the lineup by one of other bands. They were very fortunate to get a chance to play at the Y as they are all quite young and have not yet established themselves on the usual circuit.
The five piece ensemble played a series of well known rock covers and despite a wooden stage performance, played their instruments in a confident manner and had one lead singer but no backing vocals. The crowd egged them on and they sailed through their set reasonably well.
James, vocalist of White Fix, singing at the Y
The evening got going with White Fix the foursome who play rocky songs with a classic flavour. Driven along by a strong lead singer - James - and peppered with some skilful guitar riffs from
Ciaran, they pounded through their set, despite a broken guitar string that took some time to fix. The drummer gave a display of his skills while
Ciaran
dissappeared in search of a working instrument.
Whilst their musical style is not modern enough to fill rooms, they have a rawness and an edge that carries them along and they are a serious band.
Joe Walker from White Ashes performing at the Y
White Ashes, by comparison, is a band that has got it nailed. With Joe Walker's verve and vocal skills, they deliver a convincing peformance and have a solid feel to their set that commands attention. They are four serious musicians in search of an identity; all the raw material is there but as yet it hasn't found a niche. Once they find a direction, they could well go far. For now, some of their material sounds dated and they could do with some time with a good producer. But they ooze confident and raw talent and always put on an enjoyable set.
Andy Cooper, lead singer of the Weekend Schemers
The next band to take to the stage, now has a track record and has clocked up enough playing hours to give the impression of a band with presence. They look and feel like a seasoned band. A few days ago they sailed through their Surface Unsigned round at the Custard Factory in Birmingham, coming second on the voting stakes.Weekend Schemers have built up an ardent following and have gigged vigorously since they launched on to the local scene a couple of years ago. Both at the Custard Factory and again tonight at the Y, they demonstrated that they are a band that knows what good modern music is about and they know how to do it on stage. They are heading in the right direction and are fired up to get there. Their songs have an energy that compels attention and the front line is manned by three good vocalists.
The night was headlined by Third Time Lucky. Another band who have written some engaging and enjoyable songs and have been busy getting themselves out there. Gradually growing and developing they feature some talented musicians and a star quality lead vocalist in the shape of Zack Wisehall. Here is a band with not just musicians but personalities. Its happy, jolly go for it music that pulls a crowd to the front.
A good night out in a nice venue and everyone had a good time.
Friday 21st May, the Music Cafe
A fine night on a scorcher of a weekend. The crowd gathers at the Music Cafe in Braunstone Gate, not far from Sumo, to see the show put on by Shadow Promotions. Amongst the fans is a fair smattering of rock royalty, as members of Leicester's bands come down to enjoy a night out, off stage. Several people tell me how much they like the Music Cafe and what a great venue it could be, if it really got going. Shadow Promotions has been working the venue, amongst others, with a growing list of successful nights since it opened.
Ash on stage with Formal Warning
Tonight Formal Warning opened the show! I'm not sure I have ever seen this band actually play first; they are a headline act and usually bring a show to a finale. But tonight the headline slot was reserved for the star attraction, out of town band Underground Heroes.
Even though the party had not yet got started, FW put on a professional act. Whenever they play, where ever and whatever their set position, this fine band always puts on a quality show. Invigorated by a new set and some recently completed songs, the Leicester's foremost power poppers got up and ticked all the boxes. A great performance from lead vocalist Ash Wright, some energetic jumps from Leon and Kyle and steady backing from Zoe on skins and Alun on guitar, it was and impressive set.
Formal Warning are appearing at the Glastonbudget festival on Saturday.
After their successive appearances at OBS, you would have thought that Raptor Captor might have wanted to take it easy for a while. But no, they took to the stage and gave the room a set of their alternative indie songs, described by one musician as "brilliant." Well, it was certainly a varied evening and it was a long jump from Formal Warning to Raptor Captor. Cool, talented and inventive, the quintet's set of classy songs was a concert of engaging musical treats. Very now, the electro-indie music of Raptor Captor is gaining ground on the Leicester scene.
Underground Heroes
A crowd of band members gathered at the front of the stage to welcome touring band from Kent, Underground Heroes. Not new to Leicester, the Medway fivesome are rising fast at the moment. Though unsigned, they do have management and are whizzing around the UK on what looks like an exhausting tour. The four piece played a sizzling set of high energy songs that wove together a cocktail of musical styles, driven relentlessly forward by the charismatic vocals of Aaron Dollimore. In fact all three front musicians supported the vocals. The mosh pit soon got going as the set heated up. It was curious to see a mosh pit made up almost entirely of Leicester's rock musicians. The pack was exclusively male - not a scene for the girlies, this one. You tend not to see ladies moshing round their handbags at a punk gig. But this is a band that has an enthusiastic following. It was high octane, loud and compelling, a set of raw adrenaline pumping post punk. Huge pounding beats are the order of the day. The guys put on a storming set, musical fireworks delivered with complete passion and megawatts of energy. It's earthy, in your face punky stuff, harking back to the Clash, the Jam and the Specials. Awesome stuff!
Saturday 15th May, OBS Grand Final
Raptor Captor on stage at the finals
There is something special about the OBS grand final. For six years now it has become an event of Leicester's music calendar. It's a chance for some of our local top bands to play together and for a large crowd of music fans to turn up and listen to them. It's the one night when the bands are guaranteed a full house at the Shed. It's often the point at which rising new bands get the exposure they need and sometimes it spells recognition for established bands.
Tonight the Shed was packed to the gunnels with people of all ages. Armies of fans were squashed in with musicians, judges, photographers, film crews, members of other bands, rock stars and music journalists to witness a night of quality music followed by a really great after-party.
It is however in the nature of competitions that there can be only one winner. To his great surprise James Lewis led his band members on to the stage to become the sixth winner of the Leicester OBS, taking his place in the hall of fame with the Heroes, M48 and the Chairmen.
This has been a good year for the OBS. The heats have been well attended, the bands have all been good, there have been a series of nail-biting, too close to call finishes. The judges have had their work cut out trying to decide between bands that are the best in Leicester.
In the end it appears they have gone for originality. The James Lewis Band stood out from the rest musically. The three piece group is fronted by a talented singer/songwriter with an image and a trade mark hat. This is not to say that The Booby traps or the Stiggz are not original - they have some of top rock songs of all Leicestershire in their set lists.
James Lewis is contemporary, almost flavour of the month. He can wow a crowd with his songs and is doing stuff that no one else is doing around here. His act has character and an individual style.
Some musicians in the audience thought that the music content tended to be a bit samey. It's creative but stays within its comfort zone. His performance at the OBS heat on 1st May was different from tonight - he used the intimate atmosphere of the Musician to show off his range of vocal techniques but tonight in the frenzy of the grand final he had to belt it out but that worked too. It was a scintillating performance full of vibrancy and passion and it won the judges over.
The Stiggz playing at the finals
Raptor Captor was in roughly the same stable as James Lewis, with The Stiggz and The Boobytraps coming from a stylistically different stable. So it was a clear choice between the contemporary and the more traditional forms of music. In the end they chose one from each.
Raptor Captor have been impressing the judges with their modern, alternative electro Indie rock. Noted for their originality and freshness, the band has produced energising and creative sets. Song after song had hair raising big intros, throbbing with exciting beats and making you think you're just about to get into a massive dance number. However, it's like the intro led into a totally different song which bore little resemblance or connection to the grand fanfare of music it started with.
People were standing intently concentrating on what they were hearing from this band. It was more your concert piece compared to the riotous dancing and hand waving ecstasy of the more more traditional sounding bands that played later,. The songs were full of intriguing and clever orchestrations and the three singers often came together in a rich harmony. With strong vocals from Garry and Danni, the band produced a good layer of vocal sound that blended well with the instrumentals. Garry's singing was good on strength but one lead singer claimed he sounded a bit flat at times. He's a good team vocalist but doesn't exude front-man charisma.
A clever and inventive band, that has established a reputation for new music and a flair for experiment. A confident and committed stage presence, it had all the boxes ticked to get it into the finals. But, you were left wondering if perhaps they were being a tad too clever for their own good and need to think more clearly about what they are doing musically and where they should be positioning themselves in the musical market place.
The Stiggz have a set of songs laden with melody and memorable riffs that have led people to think they are playing covers. Their canonical rock sounds like The Specials in bed with the Rolling Stones under a duvet of Mod. When they get on stage in front of a crowd of their many fans, it's a mini-rock festival and you could close your eyes and easily pretend you were in the presence of one of the iconic British rock monsters of the twentieth century, instead of just being at the Shed.
The same could be said of The Boobytraps; it's the kind of mainstream rock that appeals to people of all ages although I suspect the crowd might vere somewhat towards of higher end of the middle age band.
Both are rock show bands. They play easily recognisable popular rock - people's bands for the mainstream market. Musicians that know how to sing and play their instruments, songs that cause spontaneous clapping and arm waving from the audience and sets that leave the crowd calling for more at the end. It's what iconic rock is all about.
Both bands include some quite young musicians who have not been around for donkey's years and in front of them, star quality lead singers. They are solid bands who know what they are doing and who can write incredibly good songs. They put on a big show in which musical dynamics and moment are sustained throughout the set.
The crowd enjoying The Stiggz
So if the judges wanted a safe bet to counterfoil their choice of modern, experimental acts, it would need to be one of these bands. In the end it was The Stiggz but The Boobytraps put on a masterful performance.
The night concluded with a performance from last year's OBS winners, The Heroes. Band performances, at the top level, fall broadly into three categories: excellent, awesome and magical. Whilst all four competition bands were awesome, there was a magic about seeing the Heroes on the stage of their birthplace, showing us just how far they have come since their early days and what exciting new songs they are now producing. It was furious, frenzied and fanatical rock and standing in front of them is both exciting and exhausting. But they played magnificently and reminded us just what a special band they are.
The judges retired to consider their verdict whilst in the room, the party really got going to a series of floor filling tracks - the biggest rock hits from the past 20 years. After a lengthy break, OBS organiser Val McCoy took to the mic to announce the winners and to bring the sixth OBS to its close for another year.
I arrive at the patio outside Sumo. A crowd of band members are surrounding promoter Andy Wright. They are discussing entry conditions for tonight's show. Gig organisers Neon Sarcastic are insisting they were told it was a 14+ event. Andy explains to them that it is no longer possible to hold 14+ nights in Leicester on licensed premises, especially on a Friday night. A crowd of young teenagers waits outside the gates to see if they are going to be let in to see their favourite bands. Confusion and musicians with faces longer than a bass guitar stem abound as it becomes clear that only those with id proving they are 18+ will be let in.
White Ashes were due to go on first. To rub salt into the wound of their much reduced ticket sales, the drummer can't make it in time for the start because he's on a train coming back to Leicester. The three string players decide to perform without him. Despite the empty room, Joe Walker puts on an impressive display of his vocal skills, ably supported by Jake Brennan on guitar and Jack Franklin on bass. It was a kind of electro-acoustic jam session. But then White Ashes is such a talented band that even this was an enjoyable and rewarding experience in its own right. Drummers! Who needs them?!
Things finally got going when the room filled with fans of the Weekend Schemers. Last weekend they were supporting The Young Knives. Here is a band that has come a long way since they first took to the stage in Leicester, not so very long ago. The four teenagers look like rock stars, play like rock stars and write thumpingly good songs, like rock stars. In recent months their sound has developed, now being rockier, louder and punchier. Andy Cooper commands the lead mic with Conner Evans supporting the vocals from the guitar and Joe Doyle from the bass. Driving them along from the skins, Harry Radburn works some magic with his sticks. Their old iconicly melodic songs have been given an instrumental make over, beefed up with bigger, brassier riffs and a more forceful delivery. They sound like a rock band should sound.
Hill Valley High played the third slot. Read about their set on our Discovery page.
The headline act, Neon Sarcastic, were as good as ever. These guys have been entertaining crowds with their exhillarating brand of high octane pop-punk, since they formed in April 2007. There are certainly on form tonight. They unfurl a huge multi-coloured back drop and launch into their first song. Lead singer John pumps out strong clear vocals in his characteristic voice, jumping and dancing around the stage in his 'x-factor style'. Quality dance songs, energetic stage presence and tight production, an NS gig is always a show with a sense of occasion. They are keeping alive the tradition of popular rock. The evening has seen some remarkable performances and NS gives it a suitable finale.
You can see Neon Sarcastic at the Glastonbudget Festival next weekend where they will be playing on Saturday.
Saturday 8th May, The Music Cafe
The Weekend Schemers put on a good set supporting a night headlined by the Young Knives. The Schemers gave a polished performance of their delightful and edgy indie rock songs. As first band on the stage, they played to a thinly populated room. It filled up later but the Knives' fans gave the local support slots a miss. Which was a great shame for the Schemers and the Stiggz. Despite this the guys played well and it was good to see how much they have grown and developed since they first burst on to the scene, not so very long ago. Confident and amiable, they now have a set of top notch songs.
Touring with the Young Knives was Welsh band Race Horses. The experimental band with a dash of thrash played a set of likeable songs, starting with a stomping good opening number. Excellent lead vocals and music delivered with panache made it an engaging set, full of energy and melody. You could hear their somewhat retro influences in their work. Whilst not an electro band, the electronica they did use was skillfully blended into the instruments. Their act was delivered with passion and sense of fun. Clearly a band with a good fund of musical taste and talent.
Headliners The Young Knives took to the stage to play to a room that had now filled to capacity. It was good that promoters Shadow Promotions had been able to land a well known band of national prominence, put them on in one of our small local venues and provide a couple of our young bands to support them.
Formed in 1999, the group based in Ashby-de-la-Zouch, shot to prominence in 2002 with their album The Young Knives are ... Dead which received critical acclaim. In 2007 they were nominated for a Mercury Prize, which in that year was actually won by Klaxons. But it put the Knives on the telly.
Describing their appearance at the Music Cafe as part of their "intimate tour", they delighted their fans with a set of quirky and original songs. Their spiky tunes involve all three band members in the vocals. The stage was loaded with equipment: although not large, the stage was crammed with speakers, mixer units and production paraphernalia, the like of which one normally sees only at festivals. But the sound was wonderful.
However, intimate, fans had traveled far and wide to this gig. One guy I talked to had come down from York just to go to it.
Noted for their originality, it was obvious this was something different that doesn't get equalled often. They used the gig to launch a new song, claiming that soon the fans would "know if like the hand of your hand". The melody works and I can see what they mean.
Their track "Weekends and Bleak Days" certainly got the crowd moving. The appreciative fans clearly loved it. Their work occupies a territory somewhere between the cutting-edge experimental outlands and the mainstream. The quirkier stuff sits alongside floor-filling indie songs. To some they are an enigma but may be that is why so many people love them. They don't fit the usual molds; in many ways they stand out.
It was a night of solidly good music: from the local young bands through to those that have made it. Thank you Shadow Promotions.
Saturday 17th April, The Musician (OBS)
The callback round of the OBS gave six bands a playoff opportunity to gain two places in the semi-final rounds. All good bands in their own way, the variety of musical idioms appearing on the stage gave the judges something to think about.
Skinny Bones did a set of really appealing melodic pop rock songs, sung with passion by lead vocalist Harry Bushby, supported with backing from brother Tom and guitarist Josh Myhill. Laden with ear-pleasing harmonies and foot tapping rhythms, their set launched the evening extremely well. Well crafted songs, beautifully played with catchy dynamics and engaging melodic lines, they lived the music and gave the audience a quality musical experience. Skinny Bones ticks all the boxes for me.
Back on the Musician stage again, Raptor Captor put on a sophisticated and stylish set of modern indie songs. Redolent with dancy passages and funky beats, the well blended vocals were a treat and certainly got some of the band members in the audience entranced. The songs were pushed forward with a good deal of momentum and the band had presence and conviction on stage.
A relatively new young band, WhiteFix, put on their finest performance ever and really excelled themselves. They took to the stage and gave it everything they had and it was almost like seeing this band for the first time. Seeing them in a new light, a band that can really get up and dominate the room and own the stage. Spikey, raw edged songs, brimming with energy, pushed along by three strong vocalists, their set proved this is band that has something special that they can let out of the bag if they really put themselves out to do it.
The band that stood out musically tonight was Silent Resistance whose offering of awesomely powerful metal, contrasted with the indie menu of the rest of the lineup. Their brilliant set of hard rock/nu metal songs was exhilarating and even those for whom this is was not their chosen idiom musically, commented that they were impressed by the technical sharpness of this band and blaze of fireworks erupting from the stage.
A lot of enthusiasm was expressed about Tall Orders, especially from other band members. Their set of punchy songs, charismatically performed by Pete Shorrock, hit the right notes for several leading musicians in the room, as well as delighting the throng of fans that had come down to support them. A set of vibrant, gutsy songs, energetically delivered with shed loads of style, certainly went down well tonight.
The night came to a close with the Pennyhangers. These guys write amazingly good songs, an even if the band's performance tonight liked its usual zeal, it was just satisfyingly good to hear some of their established classics alongside some of the newer releases. Lead singer James gave a glowing performance, supported by bassist Paddy, Andy on keys and guitar and the brilliant Jonny on drums. A great climax to a really good night of music.
The 7th and final first round heat of the OBS was won on the judge's vote by Coalville band, The Stiggz. Another evening of top class bands playing to a packed hall, marks the success of this year's Original Bands Showcase.
The other Coalville band of the night, Third Time Lucky, also won a place in the semi-finals, based on flyersand a wildcard. A sizeable coach turned up in Clyde Street to disembark over 70 fans. Leicester bands Raptor Captor and Silent Resistence were given places in the call-back show, giving them another chance to gain a place the semi-finals.
The night started with Nuneaton band Polo Lounge. The five peice indie musicians draw their influences from a range of modern bands, including Snow Patrol, The Dykeenies, Biffy Clyro and The Cribbs (a rather diverse basket of roots but good flavours non the less.) Lead vocalist Jack Finch seemed a bit lost during the first song and the set went from bad to worse. Despite suffering a broken guitar string and a bust drum pedal, the plucky band completed its set and we got at least a couple of good songs out of them. Though new to Leicester, it was clear that the band had a number of enjoyable, upbeat songs, pushed along by funky rhythms, smoothly blended guitars and gutsy vocals from Jack. Hopefully they will come back to Leicester and get through a full set without mishap and that will be worth going to see.
Next up was the first Coalville band of the nigtht: Third Time Lucky.
They opened with a fast and vigorous song that got the tighly packed throng clapping. Keeping the spirit of Blink 182 alive, this band has talented songwriters who know what enjoyable, memorable songs are all about. Having set the party going, they keep it on the boil with 'Pinch, Punch' , a song with engaging tunes and an chorus that it easy to remember. The song is belted out by lead vocalist and guitarist Zack Wisehall partnered by Josh Barnett from the bass. Strong on stage craft and loving every moment of their performance, the young band members looked like seasoned rock stars. They know how to carry forward the momentum of a set, they throw themselves into the music and the crowd responds enthusiastically. Their songs are happy, energetic and compelling, laden with catchy riffs and iconic choruses. As one of their fans, Ed, told us before the show, "OBS is a wonderful opportunity for the youth to show off their talents to a room full of people". Third Time Lucky showed the judges and a crowd of rock fans, just how much they are bursting with musical talent.
Moving on from punk to indie, Raptor Captor's five musicians came on stage, armed with a laptop and a synth. Far from being anything like an electro band, the songs were only lightly decorated with samples and intelligently keyed backings. Their first song ' Something Sinister' began with a passage that sounded very familiar, though I couldn't place where I had hear it before (other than imagining it was similar to something from Kings of Leon or Hot Chip.) The band was strong on compulsive beats, tight dynamics and clever, well balanced vocals and the set had a goodly level of variety between the songs. They executed their performance with commitment and passion. Inventive and creative song writing with a contemporary sound, their music was technically sophisticated and clearly going down well with their supportive crowd. Incidentally, this is a band that has some very well recorded tracks on their Myspace and on their EP Peep, which brings their music alive. It was a magnificent peformance.
The evening buzzed; a great atmosphere and a lot of people of all ages enjoying the event. The second Coalville contingent, The Stiggz raised the already high bar. The audience was cheering and shouting and that was even before the band had played anything. A roar went up from the big crowd as the Stiggz played their first few notes. Front man Richard Elderton's performance was electrifying. Here is a singer who is a born entertainer, whose stage presence is rarely equalled in our local bands and who is in his element in front of crowd, like a duck in water. Comparable to Alex Totman of the Heroes, he is likewise supported by two excellent vocalists for most of the songs. Music envigorated with bounce and funk brought an enthusiastic response from the audience. Big rock sounds backed well rounded songs, some of which were mistaken to be covers. In fact they did play one cover, which they allowed under the OBS rules, The Courteener's 'Not Nineteen Forever', which they delivered masterfully and got everyone jumping on the spot. They also played a new song 'Disco Gold' featuring some blistering guitar work and utterly compelling rhythms. They kept the momentum going, hardly pausing between tunes, they carried the crowd along with a set of well crafted songs. A band with a huge dollop of rock and roll attitude, they lit up the night and stormed into the semi-finals.
Having been treated to four massively good bands, you thought 'it can't get any better' and then came Silent Resistance. A totally different style was added to to the night's banquet of indie, pop punk, electro dance and funk: hard rock with a generous serving of razor sharp metal. I have to say, I have always been a huge fan of this band because they take me back to my musicial roots when I first became enthralled by the nu-metal bands of the early noughties, such as Linkin Park, Boy Hits Car, Korn, Limp Bizkit, Incubus and System of a Down. I wasn't the only one, as several people came up to me afterwards to share their admiration for this band. Ryan's intense vocals delivered sustained screams and deep throated roars to the thumping backlines from Jai and Alex on guitars, red Dan on the bass and Danny on the drums. Massive sounds, head banging beats and great rolling walls of well pedelled guitars produced a set of electrifying metal songs, bringing an totally gratifying night of live music to an exhilarating finale. Any band that refers its influences to Papa Roach, Alter Bridge, Lost Prophets and Fightstar deserves my adulation.
Saturday 27th March, The Musician (OBS)
What a great night! A line up of first class bands, a capacity crowd and a room full of our local rock stars. A the bonus of being able to get a decent pint of ale for a change! This was Heat 5 of the OBS and it started with a spirited performance from James Lewis and his band. The hallmark of this young indie singer is his singing style; on a number of the songs he uses a soft almost whispering aspiration, a pretty difficult technique but he pulls it off well enough. Otherwise he's pumping out a vibrant melody with a richly toned voice accompanied by vivacious strumming on his guitar. He gave it his all, turning out a fine performance of his set of funky indie tunes. Some backing vocals would have highlighted certain passages and added a little additional colour but were noticeably absent. The audience responded with enthusiasm.
BKTB have not been around that long but since they started playing they have grown and developed at an astonishing rate. They launched into their set with a bouncy vibrant tune that soon pulled the audience into the action. They delivered a set with a great deal of passion and commitment, throwing themselves into the show with energy and zeal. Their modern rock songs were laden with infectious rhythms and appealing melodies and the three vocalists at the front worked well together under the lead of Elliott. Unusually for a rock band, they had decided to dress up for occasion; all the band members were in crisp white shirts, black ties and black waistcoats, not something rock bands commonly do but they looked fabulous and its always great to see a young band taking their image seriously. It was a very confident performance from an up and coming band and it drew considerable enthusiasm from the crowd. At times they had the audience jumping up and down and clapping, particularly during their rather fine rendition of Lady Gaga's "Poker Face", their only cover of the night.
A band I really can't remember seeing before were on next. Several musicians had recommended Tall Orders to me earlier in the day. The four piece featured a lead vocalist with a large order of character, and some songs with some really engaging ska-like rhythms, though on the whole the set was stylistically varied. The lead singer had a strong presence, needed because I didn't see any backing vocals. The songs had a good deal of movement and dynamism and from time to time the lead singer sang into the mic through a megaphone. A skillfully executed set from a group of solidly good musicians: a band's band.
I have covered Skinny Bones before. I was impressed last time I saw them so I was looking forward to their appearance tonight. These guys have three solidly good front vocalists and the band produces a set of songs rich in colour and sparkle. My feeling is that Skinny Bones is a group with an awful lot going for it. Not only was their music technically magnificent but the singers had that rare X-factor tingle. I would certainly reiterate my previous comments about this band, and they drew an excited response from the audience. Here is a band that could quite possibly occupy a major plank in the local music scene.
Another band I had not seen before was Sunflower. The four piece included a female saxophonist and a set of captivating jazzy/blues rock songs played with considerable style and panache that conjured mood and cool in liberal quantities. They drew plaudits from several of the musicians in the audience, always a good sign. Many of Leicester's top band members had turned up for the show, so there were plenty of musicians to confer with about the acts. Stylistically quite different from the previous bands, they added a new layer of music to the night and that went down very well.
With a lineup this good, I was glad I was not judging because I would have been struggling to choose a winner; they were all good. Good in different ways and for different reasons. But choosing one to be the best would have been a monumentally difficult job. But in the end they decided to send The James Lewis Band through to the next round.
A gig at the Y Theatre is always a good experience; its a fine venue, very different to all the rest. The sound is excellent and the stage lighting exceptional. Tonight two great bands pulled in a respectable size of audience. Minnaars were on first . They are steadily working their way into the big time and their current tour itinerary looks pretty healthy. Their brand of Progressive/Techno indie is tight and raw and big on presence and character. Their music is very now, with its sizzling shouty vocals, tightly integrated electro and strings, the incandescant drumming of Ben Joel Cropley and pounding, compulsive beats that makes Minnaars one of the most exciting bands in Leicester right now. Often compared to Foals and having a known connection to Forward Russia, they have carved out their own niche. Some fans hold them to be better than Foals. Tonight's set included a couple of new songs only recently completed. Some of the young musicians in the audience were impressed. Nathan Lord said "Technically Brilliant. Genius." Nik Sharma said they were "Totally astounding".
The Screening took to the stage and delighted the crowd with the vigorous vocals from the two Toms and, although their sound is markedly different from Minnaars, they kept the crowd on its feet. On the stage at the Y in the red floods, they looked the part, a band with presence, pushing out a big performance. They hailed their appearances on the stage of the Charlotte - good times of the past - but they looked and sounded so much better tonight, on a proper stage. Ah well, Kasabian was born in a Shed.
The Screening is a pop band; their sound stems from pop. You can hear phrases from some of the biggest acts of the past few years. Whilst their lyrics don't sell their songs ("she's the one that I want"), the melodies and the infectious rhythms give people want they want to hear. Diem is a hit song that has all the hall-marks of a chart buster, with nearly 35,000 plays on Myspace. Here is a band that can put on a big show and an image that can make them stand out. One of cluster of bands that is putting Leicester out front. Now that the The Screening have synths and keys, every young indie band climbing the Leicester tree wants the same.
The band has cultivated a loyal following locally, and its always the mark of a good band that for some songs, they can stop and let the audience carry on - that's always a good sign. Their set is wonderfully varied, ranging from a majestic ballad that sounds like it was written by Paul McCartney through to a punk-speed dance number that had the crowd jumping with their arms in the air. They are masters of great sweeping passages and vigorous chanty choruses. For me this was the best Screening gig ever. Their fans called them back for a deserved encore.
Saturday night: a big crowd turned up at the Music Cafe off Braunstone Gate, to hear three quality bands including the amazing Twisted Wheel.
Any band that can successfully blend together the best qualities of The Kinks, The Sex Pistols and Oasis has got to be worth seeing. Yes, Twisted Wheel was amazing. Based in Manchester and signed to Columbia records, A set of high energy songs, dripping with engaging tunes and catchy riffs, delivered by the star performance of front man Jonny Brown, it was a grippingly good experience. A big crowd turned out to see this magicly good band, that has supported Oasis, The Enemy, Ian Brown, The View, Pigeon Detectives, The Courteeners, Reverend & The Makers, Kasabian, The Rascals, The Coral and The Happy Mondays.
Supporting them were two of our finest Leicester bands: Kids in Cars and the Chairman, it added up to a top night of live music, so well done to promoters Shadow Promotions for putting on a great show.
Jonny Gavin and the Chairmen
It was a rare treat to hear Kids in Cars again. Musically, I think this is one of the most enthralling bands in Leicester. They have some really quality, memorable songs and it was just so good to see them live again. It's very sad that we don't see KIC playing in Leicester very often, because the music scene here would be all the better for having a band of this quality gracing our local stages.
The Chairmen, similarly have not played Leicester since their 'come back' gig at the Y Theatre on 5th September last year. A great band with a star vocalist - Jonny Gavin - they won the OBS in 2007 and were the national winners of Surface Unsigned in 2008. They relaunched last year with a new sound and a new set of songs, and also tonight came up with some new material as well as their hit song Twenty Twenty Vision. The Chairmen put on a sparkling performance and showed us that they are one of the top acts in our local rock scene.
I like the Music Cafe; it has had a make-over and the main room in the bar has been revamped. Rumours are spreading that this venue could become the replacement for the Charlotte. Certainly, new agents Shadow Promotions are doing good things, especially by bringing in some big name bands to headline, with support slots going to out best local bands.
Saturday 6th March 2010
OBS Heat 2 at the Shed
The night commenced with Drive By Disco. Their pulsating electro introduction from the laptop was accompanied by the three lads doing a sort of robotic dance as they came on stage. They are of course a band with a sense of humour and love clowning around. Well, good on them, I say, they have fun when they gig and that's ok. Dave, Poz and Ben pick up the sounds and burst into their tunes, infectious dance beats over laced with frenetic rock. They have come a long way since the days when they were For The Record and Dave especially as grown into a robust singer with a characteristic sound to his voice. The pinnacle of their success as FTR was the release of the iconic hit song "High School Royalty." Here is a band that has discovered what dance anthems are all about. Three guys with a sense of fun who can push out a set of engaging popular songs with a feel-good theme. Their "Break Up Song" has many of the hit characteristics of their earlier "High School Royalty" but lacks its iconic quality. With a good producer and studio, it could do really well and earn them a reputation.
Four young guys from Coalville came on next. Identity Parade are a new band but they have a lot of exciting elements: three solidly vocalists in Connor, Zack and Ryan and an accomplished drummer in the shape of James. They set off with a compelling, bouncy number laden with captivating rhythms and big, bold breaks. Their presence on the stage is not bad although they all look very young and haven't as yet grown into the maturity of rock stars - let's hope they have that to come. This is a band that should last; they have the musical ability and the song writing capacity to establish themselves. They need only to find themselves and decide where they want to go with it. For now they play a convincing set, passages fizzing with youthful energy, vigorous and full-bodied songs and four equally balanced band members who work tightly together.
From a band that has only just started, we went on to one of the established solid indie groups whose songs have become landmarks of the Leicester rock scene: The Pennyhangers. They have all the presence and stature that the young bands lack and they deliver deliciously memorable, tuneful songs that stay in your head on the way home. This is band that has mastered the art of writing big iconic ballads. With James in the lead, occasionally backed by Sean and Paddy, and driven by the master drumming of Johnny, The PHs is always enjoyable. Recently they have added a bit of discrete synthing into the sound but this does not detract from the mainstream approach to guitar music. Above all, they are a band that sounds like itself.
It was perhaps unfortunate that Ashdowne got rostered to play after the Pennyhangers. Ashdowne has been around for longer than most [formed 2004] but hasn't really made its mark on the local scene. Like me, lots of people know of Ashdowne but not so many have seen them play or know their songs. They play a set of powerful indie songs delivered with a restrained performance. Their songs have a modern sound, well constructed and expertly performed. The audience looked appreciative and absorbed but not excited; competent musicianship, tight playing and convincing vocals but none of the sparkle and pizzazz of the bands that preceded them.
The last 14+ night at the Charlotte. Let's hope it's not the last one in Leicester. The police closed it down before the end because of trouble in the crowd.
But, hey ho, the night began with Leicester band Skinny Bones. Now, I had not seen this band before - probably because this was their first gig - but the young four piece had three excellent front vocalists and a set of kick-ass indie songs. Their spirited performance and vibrant sense of rhythm soon won the crowd over. And, ah yes, the lead guitarist was Josh from the old Just Norris band. He and the the lead vocalist were star quality. Great start to the night and this is a band that could really go far.
The audience included a large posse of musicians from other bands, down to support the line-up and enjoy the sense of occasion. Wow, I remember the time when the girls used to scream at the band members. Now they just scream at each other.
As the smoke machine filled the front of the room with a heavy white fog and long green fingers of laser light sparked out over the crowd, the five members of Formal Warning took to the stage. They are fast becoming the Famous Five and have recently returned from a tour of Belgium where they went down so well that they have been invited back in the summer. Ash picked up the mic and a forest of hands went up in the air. The band launches into one of their block-buster dance numbers. The floor in front of the stage is packed solid and the fans are in full voice during the choruses. Some of their fans should, me thinks, be on the stage with mics as a backing group. They know the songs well enough.
FW gave us two of their new songs - our little secret and cal and response . There is a lot of noise from the Brauny Army but Ash belts out the songs over the top of this. His voice has more kilowatts than the PA system. It's not just a set; its a complete show, from one of Leicester's top performance bands. They ended the night with an appropriate homage to Kasabian.
The Weekend Schemers had their set cut short when the police closed down the gig, as trouble maker after trouble maker got frogged march to the front door. Well it was snowing and bitterly cold outside and I expect the officers on duty there just wanted to get back to the station for a nice hot cuppa. The Schemers took to the stage with new vocalist Andy Cooper and got the party started with the packed throng in front of the stage. It was the right night for lound songs and fast beats. It takes a special kind of frenzy to engage a hundred or more 14+ teenagers. The Schemers had it nailed. They had their fingers on the pulse of modern songs and James Hazel, Andy and Connor Evans on backings made this band better than most.
Sadly, White Fix didn't get to play.
Saturday 13th February, The Queen of Bradgate
A new venue opened its doors tonight to the bands of Leicester. High Street pub, the Queen of Bradgate hosted a night organised by Silver Bullet Promotions. As first nights go, it was rather good. All the bands were well worth seeing and the pints were surprisingly cheap.
Seventh Empire launched the lineup, pumping out some strong riffs. Still relatively new, the lads are gaining in confidence and even though the lead singer had his arm in a sling, his voice was fit for the job, as he belted out some engaging songs. They covered You can be my hero baby, cranked up to a punky speed but they sizzled through it with a good dose of passion.
Another band with considerable presence and thrust is White Ashes and, despite not having played to this crowd before, they won them over with a set of artfully arranged and vibrant songs.
The headline band played third. Here In Leicester once more from Milton Keynes, Primal Device put on one of their block busting sets of high octane hard rock. This band is utterly amazing, led by three excellently good vocalists and guitar players and backed by a gold medal rhythm section, they bring the power and the glory of their genre to any gig they do. After their set, the accolades flowed in from fans and other band members alike. It's not only the technical wizzardry of their playing that thrills but the splendour of their music: great sweeping statements of sound that can suddenly plummet into tenderly quiet passages before thundering back into ear-cracking bursts of music. It reminds me of the music of Bruckner. Absolutely awesome. They will be back in Leicester soon.
Muse covers band Muse-ic ellicited a goodly helping of acclaim for their set. The crowd were purring with satisfaction at the skillful playing, smooth vocals and well selected Muse classics.
The night finally drew to a close with White Fix who gave everyone a pleasing set of their own songs, laden with foot tapping rythms and compelling melodic lines. A band we don't know well right now but who certainly will become increasingly in demand at local gigs, as their reputation gets round.
Saturday 30th January, The Shed
It's Overdrive again. The house is packed with kids. Lots of friends are meeting up again with handshakes and hugs. The girls have dressed themselves up. The lads are getting ready to dance. The noise level is earsplittingly high and the bands haven't even started to play yet. The Weekend Schemers arrive on stage and the crowd surges to the front. The band launches into a big song, laden with strong dancey beats, catchy phrases and expansive guitar solos. The crowd starts to dance and a forest of hands go up in the air. James Hazell excitedly works the crowd. After a thundering start to the set they launch into "Eight Balls" and the music takes it up a peg. Tame it is not. It's not music you can sit down to listen to. The four young guys play with the swagger of seasoned professionals. New vocalist Andy Cooper is introduced to the stage. The band's vibrant vocals are already solidly in place with James, Conor and Joe. Drummer Harry told me "I can't sing"; never mind Harry, I am sure you can shout and chant in tune, so no excuses dude. New guy Andy shows the crowd what he's made of and gives them an electrifying performance. It's good to see a band that can fire up a room even on the first slot. It's usually a chilly start but WS warmed things up straight away. The band breaks into "The Chase", a fast paced song with a stack of massive guitar riffs and the crowd are jumping like cats on a hot tin roof. I can see this band getting really big this year.
The 'Schemers having set the bar, it would have been nice if The Hordes could have jumped over it. Sadly one of their band members sustained an injury last year and they have been off the road, getting a bit rusty. They are confident of winning back their ratings with a set of new songs that they are working on now. But tonight's performance failed to get up a head of steam. Despite strong vocals from Alex Oxley, tight playing and good crowd interaction, the stage presence was rather flaccid and they sunk into a couple of rather slow paced songs that were good but not what tonight was about. This band has a good reputation and I have seen them do a lot better in the past; they know how to put together infectious tunes, driven by compulsive beats, and they have great taste in music. Contemporary in sound but not necessary all that original, their vocalisations fall a bit flat and they fail to really bond with their audience. Even so, the Hordes are a solidly good band with a tantalising talent and a lot of people are eager to hear their new stuff when it comes out.
The Heroes set is slightly delayed as the Shed deals with a police raid but eventually the four lads take to the stage and break into Blue Rave. You can see a video of this on Facebook or You Tube: it gives a flavour of the crazy excitement that crackles when this band plays; the audience erupts into a riot and you know you're on Planet Heroes. They stuck to their established set, despite being poised to release some new work soon and have given one or two of their old songs a makeover. This is what live rock is all about and in the intense hothouse of the Shed it doesn't get much more intense than this. Alex Totman also gave us a loving rendition of their iconic ballad Flowers in Golden Times. I've seen them so many times and written about them so often, I don't know that there is much left to be said, except that this could be their year. I hope it is - they are peaking now and it's time for them to be grabbed by a label. It seems we won't be seeing much of them around here later this year as they are off on tour. It's time for them to take to the road and show the world what they can do.
Even so, you can see the Heroes with The Towers of London on 4th March at the Music Cafe and at the last night of the Charlotte on 13th March.
SUMO undoubtedly oozes charm and cool, and the basement of this place offers every aspiring rock band the perfect backdrop in which to unleash some seriously hard hitting sounds.
Capturing the essence of “fresh” in every way - including the unmistakable scent of “newness”, it would be safe to say that if you didn’t get high from the musical offerings on display, the fresh paint fumes ought to have done it!
As the room filled up with eager faces and dedicated moshers, by the onset of the first band, a scan of the room confirmed that indeed, this audience seemed utterly befitting of the occasion – all long hair and young blood standing by to be royally entertained.
As it kicked off at 9 pm, the atmosphere, both onstage and off was electric.
It appeared as though the bulk of the crowd were there to support Silent Resistance. These bright young up and comers proclaim 'belters' to be their game, but could they deliver?
Well, after managing to catch a word with Ryan Tailor, Lead vocal, the unadulterated passion and dedication he has for this music and this band was quite telling and seemed very promising.
Silent Resistance took to the stage shortly after 9.30pm and under the scrutiny of the spotlight, began the task of instrument arrangement, body shuffling and mic checking.
As the boys donned their sticks and straps, a sense of anticipation filled the air until finally, out of the faint murmurs, with a slow paced drum roll and a steady glance to the crowd from Ryan, it was apparent that this band was more than ready to well and truly blow us all away – and delight in every moment!
A sense of triumph descended upon these guys as the set got underway, and with an electrifying yelp of liberty from front man Ryan, who’s calm and unassuming demeanour offstage belies the extraordinary impact of his mighty sound - all consuming, all knowing and with the confidence of a veteran classic rocker; the audience truly came to life when these guys hit the stage.
A raucous delight ensued, with electrifying rifts and punchy melodies.
Ryan - who kicked off his glasses less than 2 minutes into the intro, attested some amazing vocals with a seemingly limitless range wavering from soft, with an almost nurturing quality to ear-splitting boldness - all the while demonstrating succinct control.
Immense precision and resolute passion flowed from drummer Danny Lodge.
The two guitarists, Jai Flannery and Alex Roddis seemed at total ease and brought a laid back coolness to the performance, whilst Dan Slipper on Bass added effortless depth to the melodies.
Ryan told me that he never has a drink before a gig, preferring instead a clear and lucid experience, yet seemed utterly intoxicated by the buzz of performing, demonstrating sheer devotion to the music, and establishing a rapport with the ever excitable, perfectly hooked mob - a faultless front man who knows exactly how to work the crowd, but also how to share the limelight, Ryan appeared to be at total ease exactly where he was.
Some thoroughly delicious tunes filled the room, enveloping the senses and washing over the audience like a warm, steady wave. From soft and light to HARD, HARD, HARD, this continuous sound generated a euphoric sensation which could be felt deep within the soul - from top to toe.
By the second song, each member seemed to be in their own private paradise and it was at this point where musical influences (who they list as Metallica, Lost Prophets, and Fightstar to name but a few) began to shine through.
Their third offering, the self titled Silent Resistance had more of an indie rift to begin with, but soon descended into a classic rock belter!
The set ended with Retreat, a song which sounds unbelievable live – delicate yet strong, with profound lyrics that complemented the musical essence perfectly.
Although there were moments where Ryan’s style of vocal coupled with sharp and jumpy melodies were slightly reminiscent of classic System of a Down - which is no mean feat, or hardship - what I loved about them is that there was nothing Americanised about these lot. Just pure, honest classic Brit rock.
There was such altruism to the way they played, and the energy they created was incredible.
Hard to believe it was only their third ever gig, I would have paid good money to see this band, the only regret being they couldn’t play all night.
This lot defiantly have fire in their bellies, and it would be surprising if they didn’t go the distance.
With electric stage presence, constant build ups, and timely crescendos Silent Resistance gave a charismatic performance, full of force and passion which I’m sure will only increase from here on in!
You can see Silent Resistance at Walkabout on 2nd February and at the Crows Nest on 9th February.
Saturday 23rd January, The Shed
A young four piece band from Grantham launched a night of solidly good music. Kiss Corona featured two good front vocalists, Phil and Steve, and a singing drummer, Sam. Even Luke did a bit of chanting now and again. Good stage presentation with lots of movement and dancing was combined with tight playing and songs that had beat and persuasion. Rooted in pop punk traditions, they added a lot of interesting layers to make the sounds more modern and upbeat; even some pounding metal riffs came in there from time to time, giving their tunes a good deal of solidity and bite, but retaining the happy, dancy vibrancy of their roots. A really nice band. Watch out for them; they are bound to be back in Leicester soon.
I loved the big brassy sounds and infectious rhythms that back Matt, lead singer, of Last Edition. A band with an energetic stage presence, they brought the music alive and pulled the crowd into the action. Ska used to be popular in Leicester, reaching its hey day during the era of Freefall Felix, when there where large audiences for it and a lot of skanking down at the front. Although there are still a small number of excellent ska bands around, this particular genre has waned, particularly as the popularity of indie pop has increased. Not that we hear traditional ska; these bands borrow the catchy rhythms from ska without tributing it and aficionados of the style would not be too impressed. But Last Edition's stuff is nevertheless enjoyable, being full of dynamic beats and breaks and the whole band looked like they were have a really great time on the stage. Enjoyable and well presented, their set kept the night moving. LE will be launching their new EP on 26th February.
Ictus is a band that has been around for longer than most. Tonight they demonstrated that they are still the top notch band they always used to be. In fact, Ictus was the first band I ever played and they introduced me to live rock music in Leicester, several years ago, when they were a trio of lively teenage pop-punkers. Their music has developed and today's offering has a more modern, punchier sound, although you can still hear the intense rhythms of their roots. Ictus is a band that ticks all the boxes for me. Three superbly good front singers are backed up by Andy, another singing drummer, who they acquired from Glitch, that allowed their old drummer, Adam, to come to the front with his guitar to join lead singers Aaran and bassist Chris. Three good singers that blend well to form rich and fulsome vocals that add a considerable body of depth to the tunes. For me, Ictus is a benchmark band; they set the bar when it comes to popular rock music. They have written plenty of memorable songs, they have a magic presence on the stage, they are tight and well-oiled musicians and they have attracted a loyal following. They are a headline band. They complete a line up and tonight they rounded off two other well chosen acts. You don't need half a dozen bands for a night of good music; three good bands is enough.
Saturday 9th January, The Shed
Leicester is full of surprises and so is the Shed. Tonight's gig was an enjoyable party with a nice, happy crowd of people. They braved the winter chill to come down and support their bands. They stayed throughout the night, including most of the band members and musicians from several other bands came too, to enjoy the occasion. All good signs. So it was a good night at the Shed: a fair sized crowd, dancing, singing, cheering, chanting and drinking and enjoying meeting up with mates and getting to know some new bands.
What was really surprising was that all the bands excelled themselves and got into the spirit of the competition in a good natured way. It was the final of the current series of Winner Takes All, organised by Silver Bullet Promotions.
The Night opened with DubStep and Grimecore rappers Nemasis. The seven young men took to the stage, passing the mics round so that could take it in turns to deliver their raps, as producer Kane Johnson dealt out the sounds on the decks. The front of stage area soon filled with a phalanx of fans and band members, dancing and doing the movements. Even though it wasn't their style of music, the indie rockers got into the groove of the beats and rhythms. Afterwards they were commenting "brilliant", "really good" and this was cool - musicians appreciating music that they don't perform themselves and perhaps don't normally listen to. They got caught by the power of the beat and the rappers enjoyed having a pack in front of the stage to perform to, who were clearly appreciating an exciting performance. Nice one.
Swift Flasby playing at the Shed
Next on was Burton-on-Trent band Swift Flasby who started their set with one of their own songs, "The Mirror". This is a band that pumps out intoxicating, quality rock 'n roll songs delivered with passion and energy. Led by the voices of Andy Crowe and Dave Middlemiss, they delivered a cracking set of songs, all their own stuff. Other musicians commented on the quality of the guitar parts. What makes this band stand out is that they are four very able and experienced musicians who really enjoy getting up on a stage and entertaining a crowd. They have great taste in music and have a great set of well written original songs and it all works for them. They have a stage presence that sparkles and they live the music and that comes across so well.
A difficult act to follow but White Ashes took up the challenge, even though they were bereft of their drummer and so had to do an acoustic set, which is not what they are used to and it was clearly outside of their comfort zone. Making an electric band perform acoustically is said to be the test of good musicianship and Joe Walker, Jake Brennan and Jack Franklin pulled it off magnificently. They got the crowd dancing to some of the songs and included a number of much loved covers that people joined in with. So, they turned what could have been a disaster into a triumph.
The momentum of the night was sustained when Coalville band Beauty Killed the Beast came on; the new and not well known five piece really gave it their all and delivered their best set yet. With three band members getting into the vocals and lead singer Elliott performing with a barrel load of confidence, they kept the crowd going with a strong set of their own songs and a couple of covers. The band includes star bassist Josh, who is also in a couple of other bands, and drummer Jono, who drew some favourable comments from other drummers in the room. I am told there is a bit of a scene buzzing up in Coalville these days and it must be a good one if these guys are anything to go by.
Kicking habits with fans on stage at the Shed
There was no let up to the standard when Kicking Habits came on with their set of fast moving, infectious indie songs. Their energy kept the crowd at the front, dancing and crowd surfing, and, so excited were some of them that they climbed on to the stage to dance with the band and we ended with a stage invasion. Although a fairly new band, KH has been making its mark on the local scene and tonight they demonstrated why they have become popular and developed a following. With their good lead vocalist, Michael, and ace drummer Jake and all four musicians contributing to the vocals, they are one good team of players with a set of songs that people definitely want to listen to. They won the competition, not just with their own fans but having won votes from those who had not seen them before.
It was a long night of music and when the final band picked up their guitars, they had been waiting in the queue for over six hours. This Fallen Empire has enjoyed listening to the other bands but it was a long wait for them to do their stuff. You always feel for the last band on but they rose to the challenge and gave it their best.They now have a new bassist and have been playing for well over a year; having changed their name they are now determined to become a successful band. They have won this competition before and are not short of performance hours; these hard working and very genuine guys have developed a distinctive sound of their own for their memorable songs and very down to earth approach to music.
A really enjoyable night of live music; all the bands were good and the crowd got into it and made a gig into a party. Well done all the musicians who gave us a great night of live music and well done to all the fans who stuck around and created some real warmth on a very cold night.
Four bands played at what Autohype announced as being one of their last Leicester gigs for a while, prior to them going out on tour. Despite the freezing conditions outside, a large crowd gathered to heat the Shed and have a great time listening to their favourite bands. First on was Dutch Courage, who managed to get through the county snow drifts from Market Bosworth to make a rare appearance in the centre of Leicester. The four indie kids faced a still shivering room full of fans, well half full at this stage, but delivered a set of well crafted songs, led by vocalist/bass player Phil and backed with some nicely decorated guitar parts. Infectiously good work from the strings of Tom and Ollie, was propelled along by compulsive rhythms and a confident, if lack-lustre, stage performance. Good though they were, the songs didn't seem to do much for the audience. Despite the tight playing and strong vocals, the set failed to take off.
Leicester band the Dobsons followed; the five piece similarly featured a strong lead vocalist - Callum - but again there was a distinct lack of backing vocals to add depth to the sound. By this time the crowd had increased and the room had warmed up a little more. Another limp stage performance failed to ignite the crowd, even though the music was good and the songs nicely crafted. It was all good stuff but it didn't get the party started.
It wasn't until Razmataz took to the stage that things started to get hot enough for a mosh pit to form. I have watched many young bands prompting the audience to clap along during a section of music. Razmataz didn't need to; the audience spontaneously put their hands in the air, caught up in the dynamics of the songs. The audience ignited at last and the hitherto frigid atmosphere melted into a party. This is a band with one of the more memorable sets of songs amongst all of our local bands. Playing for the last time under their current name and intending to come back revamped, updated and with a musical make-over, this was the last chance to sing along to the songs we have known and loved for the past three years.
Wo, wo, wo
Good things don't last for ever.
Still a young band, they have the stage presence lacking in a lot of their peers and a well-oiled depth of experience to outshine even some of the older bands. Their set was punchier, rockier and more tuneful and Nathan and Chris worked well together to give the vocals a lot more clout (although bassist Dan appeared to have been let off mic duty tonight.)
Razmataz played at most of the biggest gigs of last year and launched the main stage at Summer Sundae, so it has been a good year for them. Rather than wanting to do more of the same, they are fully intent on moving forward, so we will be waiting for their return with anticipation, having seen what they have achieved over the past three years.
Autohype are Autohype! Like Razmataz, they don't sound like other bands; they have developed a sound that is unmistakably their own. The crowd, having been ignited by Razmataz, erupted into a riot when the five lords of the dance got underway. Here is a band that turns a gig into a show. A small tip about how to tell a top band from the rest: they don't have to look at their instruments to play them. The four instrumentalists could have done it blind-folded. Front-man Seb however needed plenty of light to see where he was going, as he set off into the crowd, up the steps into the control booth to sing to Andy the sound engineer and, after a couple of trips along the bar in his red ballet shoes, he's back into the crowd and heading to the stage.
"This is the year when we are going to make it"
Seb stands somewhere between Freddy Mercury and Robbie Williams when he's in front of a crowd. He doesn't just sing to them, he performs to them; he captures the audience, he commands it. Autohype are ready to go forth and take on the world. They have worked hard since they emerged like a butterfly from the chrysalis of their former name and line-up. As a band they have achieved a lot musically. Their devotion to excellence and their exemplary team-work have created a band that deserves to have a place at the top of the nation's musical tree. What was going on, I wondered, in the minds of some novice band members standing in front of the stage, looking up in wonder or the sternly critical faces of a peer band standing at the back of the hall? It's a nice thing about Leicester, that band members attend each other's gigs, partly to support, partly to be seen and party, one imagines, to learn.
The gig warmed up with a set from the fabulous 
Charlee's second song of the night - "Everything" - was a slower ballad, dripping with delicious melodic content. He is a star performer on stage, living the songs and clearly totally engaged in his music. His crystal clear voice articulates very word and the rhythms are catchy and engaging, an unmistakable Drew sound.
